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Transitions Within Queer North African Cinema

Nouri Bouzid, Abdellah Taïa, and the Transnational Tourist

Walter S. Temple

[literally “pimp”] for Tunisia’s sex trade—Roufa confesses that he views himself as a trésor national ( Figure 1 ), but that his “specialty” is [now] women. The secondary character pictured in the frame actually enhances Roufa’s self-portrait as a

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Emma Celeste Bedor

itself, that is unauthorized, and it is this unauthorized distribution that has led to its separation from the pornography industry more generally. In 2013, in fact, pornography trade journal Adult Video News published an article in which an industry

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Handover Bodies in a Feminist Frame

Two Hong Kong Women Filmmakers’ Perspectives on Sex after 1997

Gina Marchetti

years leading up to and following China’s entry into the World Trade Organization (WTO), the changing power dynamic between the HKSAR and the PRC became entangled with the desiring Handover body. As with other transactions that cross the border between

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Steven Eastwood

2003) . Such incorrect inferential paths are the basis of horror and thrillers, both deliberately trading on misinformation (it is the cat, not the alien). In Oliver Sachs’s book An Anthropologist on Mars (1995), Temple Grandin identifies similar