[literally “pimp”] for Tunisia’s sex trade—Roufa confesses that he views himself as a trésor national ( Figure 1 ), but that his “specialty” is [now] women. The secondary character pictured in the frame actually enhances Roufa’s self-portrait as a
Search Results
Page:12
Transitions Within Queer North African Cinema
Nouri Bouzid, Abdellah Taïa, and the Transnational Tourist
Walter S. Temple
Emma Celeste Bedor
itself, that is unauthorized, and it is this unauthorized distribution that has led to its separation from the pornography industry more generally. In 2013, in fact, pornography trade journal Adult Video News published an article in which an industry
Handover Bodies in a Feminist Frame
Two Hong Kong Women Filmmakers’ Perspectives on Sex after 1997
Gina Marchetti
years leading up to and following China’s entry into the World Trade Organization (WTO), the changing power dynamic between the HKSAR and the PRC became entangled with the desiring Handover body. As with other transactions that cross the border between
Steven Eastwood
2003) . Such incorrect inferential paths are the basis of horror and thrillers, both deliberately trading on misinformation (it is the cat, not the alien). In Oliver Sachs’s book An Anthropologist on Mars (1995), Temple Grandin identifies similar
Page:12