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Film as the Engine for Learning

A Model to Assess Film's Interest Raising Potential

Winnifred Wijnker, Ed S. Tan, Arthur Bakker, Tamara A. J. M. van Gog, and Paul H. M. Drijvers

cumulative interestingness of a mixed multiple challenge film. In closing, it should be emphasized that the interestingness curve does not represent a series in time of any absolute ratings of a film's interestingness. It is the trends in the curves

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Loving and Grieving with Heart of a Dog and Merleau-Ponty's Depth

Saige Walton

). Likening depth to the opening of a window (albeit not the window model of art), depth is understood in resolutely positive terms—as an opening onto the “absolute positivity of Being” (2004, 304). 11 Discussing the Russian director Andrei Tarkovsky

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Designing a New Method of Studying Feature-Length Films

An Empirical Study and its Critical Analysis

Jose Cañas-Bajo, Teresa Cañas-Bajo, Eleni Berki, Juri-Petri Valtanen, and Pertti Saariluoma

individual differences in the number of responses among the participants, we normalized the data by calculating absolute Z-scores (higher scores represent more responses) for each participant. We then calculated the mean average score for each scene and

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Andrew J. Webber

have recognized her on the street, while the mother looks on in evident distaste. 10 When Lore asserts, with absolute faith, that she would certainly have recognized her father, he cannot cope with the pressure of that unconditional anagnorisis. 11

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Gal Raz, Giancarlo Valente, Michele Svanera, Sergio Benini, and András Bálint Kovács

controlling for the effect of face presence (details on the inverse face presence model are presented in Table A2). Its major components (in terms of highest absolute weights) are large bilateral clusters whose high weights indicate close shots in the

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Gary Bettinson

absolute, seething stillness. Mercuriality is a keynote of Reeve's performance too. Murray Pomerance has praised this turn for its “stunning virtuosity” ( 2019, 281 ), part of which, I suggest, springs from the protean nature of Reeve's characterization

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Mr. Hulot's Invisible Gorilla

Jacques Tati and Inattentional Blindness

Eric Faden, Aaron Mitchel, Alexander Murph, Taylor Myers, and Nathan C. Ryan

. 1998 ). Thus, while not absolute, foveal fixations are a reliable indicator of overt attention. It is important to note, however, that we are not claiming that fixation on a particular area of the screen automatically indicates a viewer perceives and