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Akkadia Ford

in ‘Boys Don’t Cry’: Looking at the Interplay of Narration and Narrative in Brandon’s ‘Exposure’ Scene .” Paper presented at the Karl-Franzens-Universitat GraZ , Austria .

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Gal Raz, Giancarlo Valente, Michele Svanera, Sergio Benini, and András Bálint Kovács

Art historians of the early twentieth century already attributed a great importance to the fact that painters represent their subject matters from different apparent distances. The Austrian art historian Alois Riegl (1858–1905) was the first to