Search Results

You are looking at 21 - 30 of 108 items for :

  • All content x
Clear All
Restricted access

Ohm Krüger's Travels

A Case Study in the Export of Third-Reich Film Propaganda

Roel Vande Winkel

The Nazi propaganda film Ohm Krüger (Uncle Krüger, 1941) utilized former South African statesman Paul Kruger and his role in the Boer War to promote a virulently anti-British message. By analyzing the international career of Ohm Krüger, this article reassesses the propaganda value traditionally ascribed to the film in an attempt to encourage further research on the exportation of Third-Reich cinema. The parallels between the British invasion and occupation of Boer land, as represented in the film, and the Nazis' invasion and occupation of European countries were so striking that Ohm Krüger was exported almost exclusively to nations allied with Germany while being withheld from occupied territories. The one notable exception was France, which had a long tradition of anti-British sentiment.

Restricted access

Ruth Ginio

The article examines the ways in which French officers manipulated the image of the "savage and violent" African colonial soldier. While the background for the development of this image was the general European perception of Africa as a violent space, during World War I, officers, as well as parts of the French public, began to see Africans as "grown children" rather than savages. However, as this image served French military purposes and made the soldiers useful on the battlefields, it was not rejected outright. I look at the debate around recruiting Africans to serve in Europe on the eve of World War I, and the French attempts to refute the German accusations around the deployment of African soldiers in the Rhineland during the 1920s. Finally I examine how, thirty years later, during the Indochina War, African officers dealt with these conflicting images in reports about violent incidents in which African soldiers had been involved.

Restricted access

Yves Pourcher

This article details the results of a very long investigation into the life of a character who incarnates the darkest years of French history. Pierre Laval, first a cabinet member and then Council President, was the leader of a collaboration government under German occupation. The research was undertaken in the archives that his son-in-law, Count René de Chambrun, had assembled in his offices and apartment in Paris. It led to the discovery of a new source: the private notebooks that Josée, Pierre Laval's only child, had kept between 1936 and 1992. Once deciphered and analyzed, this source constitutes an extraordinary narrative of the period. It reveals the complicity of a worldly, fashionable milieu that never opened its eyes to the seriousness of what was happening. It reconstitutes the choices and cultural codes of French high society, which submitted meekly to the Nazis. This text emphasizes issues of methodology and the difficulties that writing this story entailed.

Restricted access

Kolberg

Goebbels' Wunderwaffe as Counterfactual History

David Culbert

The most expensive film produced in the Third Reich, Veit Harlan's Kolberg (1945) represents a culmination of Nazi cinema's interwoven ideological and artistic ambitions, aiming simultaneously to entertain, impress, and instruct spectators. Joseph Goebbels, who served as the film's unofficial executive producer, conceived it as a psychological miracle weapon capable of preserving national unity in increasingly hopeless circumstances and turning the tide of the war. In theory this was to be achieved by drawing a parallel between the civilian militia's successful defense of Kolberg during the Napoleonic Wars and Germany's situation in early 1945. However, close study of the film's production, distribution, and reception suggests that the film largely failed to achieve its propagandistic goals for a variety of factors, especially Goebbels' obsessive meddling with the script and editing process.

Free access

The Headscarf

A Political Symbol in Comparative and Historical Perspective

Elisa Wiygul

The headscarf has become a cultural flashpoint, a freighted symbol of many of the central social, cultural, political, and religious tensions of this first decade of the twenty-first century. When I first began to research the French controversy surrounding the Muslim headscarf in 2001, it was little known in the United States. Since then, the issue has attained global prominence. In late 2003, the Stasi Commission, which Prime Minister Jacques Chirac had appointed several months earlier, recommended a ban on wearing the Muslim headscarf in public primary and secondary schools.1 The legislature promptly passed such a ban, which became law on 15 March 2004.2 Since then, Germany, Turkey, and Britain, among other countries, have wrestled with their own headscarf controversies. The debate reached international proportions when the European Court of Human Rights upheld Turkey’s ban on the headscarf in universities, in the 2005 case of Sahin v. Turkey.

Free access

Rethinking World War I

Occupation, Liberation, and Reconstruction

George Robb and W. Brian Newsome

atrocities as commonplace or as magnified by propagandists; the influence of the war on women’s work and relationship to the home; the extent to which food shortages in Germany were caused by the British blockade or by poor management of resources by German

Restricted access

Nicole Hudgins

photographs in German-occupied territory. The wartime propaganda apparatus distributed photographs of ruins for a domestic French audience and for the military archives. In addition to French archival sources, collections in the US Library of Congress and the

Restricted access

Richard Bessel

, among the German armed forces during World War I, the ratio of dead to wounded was roughly 1:2.36. 27 That is to say, the counterparts of many of those who a hundred years ago would have been counted among the dead more recently would have been among

Restricted access

Michael B. Loughlin

“successes” of foreign fascism in Italy and Germany but in a French manner, “without castor oil or anti-Semitism.” Responding to threats from Nazi Germany and the Popular Front in 1935 and 1936, Hervé campaigned to draft the “hero of Verdun,” Philippe Pétain

Restricted access

“Clear and Present Danger”

The Legacy of the 1917 Espionage Act in the United States

Petra DeWitt

example, outlawing the speaking of German and coercing disloyal individuals to conform. They insisted on minimal federal government interference with the existing social, economic, and political order. State legislation, gubernatorial proclamations, and