people in recent years have associated with barbarism, above all else. Britons in the City England’s relationship with Aleppo goes back to 1583, when Queen Elizabeth I, as part of her policy of making political and economic alliances with the Ottomans
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John of Lancaster’s Negotiation with the Rebels in 2 Henry IV
Fifteenth-Century Northern England as Sixteenth-Century Ireland
Jane Yeang Chui Wong
.1.102–5. 43 Ibid., 4.1.129–30; 135; 131–32. 44 Queen Elizabeth, 29 December 1597, Carew MS , v. 601, 147r, quoted in Brendan Kane, The Politics and Culture of Honour in Britain and Ireland, 1541–1641 (Cambridge: Cambridge University Press, 2010), 97. 45
Andrew Barnaby
that as your last name. I don’t know why. But we always call kings and queens by their first names, don’t we? Like Queen Elizabeth, first or second, or King Joffrey, first of his name, in Game of Thrones . So ‘Lear’ must be your first name. KING Bloody
Adam Hansen
evidenced in the Catholic Throckmorton plot to kill Queen Elizabeth in 1583, rooted in Shakespeare’s home county of Warwickshire. 36 As Wilson notes: ‘Shakespeare made a drama out of his refusal of a terror which … we recognize all too well’. 37 But we can
The Madness of King Charles III
Shakespeare and the Modern Monarchy
Richard Wilson
Intrusion of the Time into the Play , trans. David Pan and Jennifer Rust (New York: Telos, 2011), 39. 2 Queen Elizabeth quoted in J.E. Neale, Elizabeth I and Her Parliaments , 2 vols. (London: Jonathan Cape, 1965), 2: 119. 3 Stephen Orgel, The Illusion of
“Avoiding the mistakes of the past”
Tower block failure discourse and economies of risk management in London's Olympic Park
Saffron Woodcraft
's Queen Elizabeth Olympic Park, invoke the “failed” high-rise housing estate as an aesthetic figure that sustains and carries forward in time the threat that new communities may also fail. Configured as a void sociality—an absence of community understood
John Drakakis
, trans. Tomothy O’Hagan (London: Verso, 1973), 56. 39 Ibid., 50. 40 Patrick Collinson, ‘The Monarchial Republic of Queen Elizabeth I’, The Bulletin of the John Rylands Library (1987), 394–424.
The Pardoner’s Passing and How It Matters
Gender, Relics and Speech Acts
Alex da Costa
sentence is, or is part of, the doing of an action, which again would not normally be described as, or as “just”, saying something’. 36 An example of this would be ‘“I name this ship the Queen Elizabeth ” – as uttered when smashing the bottle against
‘The Inexhaustible Surface of Things’
Stefano Tamburini's Comic Book Work
Simone Castaldi
Pistols’ album Never Mind the Bollocks, and the iconic image of Queen Elizabeth II wearing a safety pin through her cheek – a high-contrast black and white montage obtained by means of the photocopy machine ( Fig. 2 ). That Reid also had ties with the
