available in print and digital media. The endurance of images, with their potential to preserve these girls in this momentary pose, for “time immemorial” ( Brady and Brown 2013: 102 ) means that we have a responsibility to consider how this image may be read
Search Results
Sharing Images, Spoiling Meanings?
Class, Gender, and Ethics in Visual Research with Girls
Janet Fink and Helen Lomax
The Doll “InbeTween”
Online Doll Videos and the Intertextuality of Tween Girl Culture
Jessica E. Johnston
/bbctrending-the-secret-world-of-animated-doll-videos (accessed 10 January 2017 ). Weber , Sandra , and Claudia Mitchell . 2008 . “Imaging, Keyboarding, and Posting Identities: Young People and New Media Technologies.” In Youth, Identity, and Digital
Tweens as Technofeminists
Exploring Girlhood Identity in Technology Camp
Jen England and Robert Cannella
technologies have proliferated. For example, Elizabeth Chamberlain and others (2015) have led the Digital Media Academy while Paula MacDowell (2015) has facilitated 101 Technology Fun, 1 and Kristine Blair and others have written extensively about their
From Selfies to Sexting
Tween Girls, Intimacy, and Subjectivities
Antonio García-Gómez
victims of sexualization. Tween Girls: Legal Considerations of Sexting As debates in the mass media, law, and (feminist) digital media studies have highlighted, young adolescents seem to have developed a special interest in posting sexual images and
“Stumbling Upon Feminism”
Teenage Girls’ Forays into Digital and School-Based Feminisms
Crystal Kim and Jessica Ringrose
-based microactivism, which breaks down the false binary of the offline and online as separate spheres and negates the perception that the latter does not constitute meaningful IRL change. For instance, Keller’s research on girls and digital media (2012, 2015, 2016
Brian Bergen-Aurand
This is a special issue on surveilled bodies, with five articles guest edited by Ira Allen, Assistant Professor of Rhetoric, Writing, and Digital Media Studies at Northern Arizona University and Assistant Editor of Screen Bodies. The question here is one of how screens and bodies are brought together through surveillance (visual and otherwise), how surveillance hails the body to attend to it (beckons us to catch a glimpse of here or there) even as it hides itself from the body, working to be noticed yet remaining unnoticed, in order to keep us “on our toes.” In this light, surveillance is not only about investigating, examining, logging, and controlling the body but also about bringing the body into being as a body-to-be-surveilled, about interpolating the body into becoming evermore surveillable in ever-more granular ways.
Peter Lurie, Antonio Sanna, Hansen Hsu, Ella Houston, and Kristof van Baarle
ambitious while being both selective and representative of American cinema broadly speaking. The future of digital media is not clear; yet neither, quite, is the cinema’s past, particularly at the junctures Maurice treats and whose ideological fault lines
Editorial
Screening Vulnerability
Brian Bergen-Aurand
of this issue. We hope their visions and commitment to the study of bodies and screens will see us through to a new stage in the evolution of Screen Bodies . Ira Allen teaches rhetoric, writing, and digital media studies at Northern Arizona
Lieke Hettinga and Terrance Wooten
using their own counter-technologies—multimedia performance and film/video, digital art, popular literary memoir, and digital media. Each chapter is networked together in a nonlinear fashion, and sometimes the order seems intentionally and productively
On Shock Therapy
Modernist Aesthetics and American Underground Film
William Solomon
environment. Before bringing Benjamin’s hermeneutic contention to bear on the work of two American underground filmmakers who were active in the 1960s, I would like to take a final detour through a contemporary use of digital media in the hope of further