This paper criticises the concept of culture as deployed within debates on moral relativism, arguing for a greater appreciation of the role of power in the production of a society's purportedly 'moral' norms. The argument is developed in three stages: (1) analysis of the relation between ideology and morality, noting that the concept of morality excludes self-serving moral claims and justifications; (2) analysis of the concept of culture, drawing attention to an ambiguity in its usage and to the hierarchical social structures within which the actual bodies of cultures are produced and reproduced; and (3) contention that (1) and (2) provide the basis for a radical and socially effective species of immanent critique: the exposure of existing norms and institutions purported to be morally justified as masks for the self-interest of elite groups.
challenge or invert conventional wisdom on central aspects of the Hollywood aesthetic: on the roles of style and ideology , respectively. Pull Up to the Bumper Berliner lays out five functions of style (“the distinctive and patterned use of the
films complicate formal patterning and thwart audience expectations. They do so by combining classical narrative, stylistic, ideological, and genre properties with some fairly bold (by Hollywood standards) deviations from normative practices
Ian S. Lustick
As a state founded on Jewish immigration and the absorption of immigration, what are the ideological and political implications for Israel of a zero or negative migration balance? By closely examining data on immigration and emigration, trends with regard to the migration balance are established. This article pays particular attention to the ways in which Israelis from different political perspectives have portrayed the question of the migration balance and to the relationship between a declining migration balance and the re-emergence of the “demographic problem“ as a political, cultural, and psychological reality of enormous resonance for Jewish Israelis. Conclusions are drawn about the relationship between Israel's anxious re-engagement with the demographic problem and its responses to Iran's nuclear program, the unintended consequences of encouraging programs of “flexible aliyah,“ and the intense debate over the conversion of non-Jewish non-Arab Israelis.
A Revised Typology of Coercion and Repression in Liberal Democracies
states are repressive, yet capitalist-liberal democratic regimes, given their strong ideological hegemony, may effectively rely only on ideological compliance of the populace and resort to violence—that is coercion causing physical or psychological harm
methods of conceptual history, or Begriffsgeschichte , continue to be especially relevant to ideology studies, a subfield of political theory finally liberated from the Marxian undertones that see ideology as a ubiquitous, and not simply ruling
Appropriating Siberia for the Russian Empire
Siberia is more than a region of Russia; it is also an integral part of how Russians understand themselves. This cultural historical article examines the process by which Russians incorporated Siberia through the ideology of nash (ours; female nasha, neuter nashe), a possessive term that has deep roots in Russian literary and philosophical traditions. The author argues that it is important for us to understand the 'mental appropriation' of Siberia in order to understand its place in Russia today.
I argue that the concept of practical necessity adds to our understanding of the notion of constraint by analysing the use of this concept in the writings of Thucydides, Machiavelli, Hegel and Marx. Objective and subjective aspects of practical necessity are identified, and the relation between them is explained. It is also shown that human beings can be wrong about what is a matter of genuine practical necessity at the same time as some people have an interest in fostering in others false beliefs regarding this matter. In short, appeals to necessity may perform an ideological function.
David Bordwell (2002) has described contemporary mainstream cinema as a cinema of intensified continuity. When we combine Bordwell's analysis with that of recent cognitive work on attention, especially with work on edit blindness, we discover some intriguing results. For example, the increased rate of cutting in contemporary cinema serves to keep our attention continually aroused, but, at the same time, that which arouses our attention—the increased number of cuts—becomes decreasingly visible. That is, the greater the number of cuts made in the services of continuity editing, the less we are able to spot them. If, while watching contemporary mainstream cinema, the attention of viewers is aroused but viewers are decreasingly capable of spotting the reasons why this is so (i.e., the cuts themselves), then does this also serve to make contemporary mainstream cinema “post-ideological,” because it concerns itself only with “intensified” experiences? Or, as this article argues, does the sheer speed of contemporary mainstream cinema renew the need for the ideological critique of films?
Paternalism and Masculinity on the Republican Right in Interwar France, 1919-1939
"Des Hommes et des citoyens: Paternalism and Masculinity on the Republican Right in Interwar France, 1919-1939," explores the masculine ideals of France's three main right-of-centre republican parties during the interwar period: the Fédération républicaine, the Parti démocrate populaire, and the Alliance démocratique. These parties desired men to be determined, principled, inflexible, respectable, hard-working, selfless, paternalist, republican and nationalist, and to father as many legitimate children as possible. Moreover, a discourse of paternalism pervaded the republican right's rhetoric and ideology, thereby providing the basis for many of its policies, as well as an obstacle to those, including feminists, who wished to challenge the status quo. This paternalism was consonant with the parties' class position and commingled with a masculine conception of citizenship that underlay the parties' principles and obstructed proponents of women's suffrage.