screens. The journal considers moving and still images, whether from entertainment industries, information technologies, or news and media outlets, including cinema, television, the Internet, and exhibition spaces. It investigates the private experiences
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Redefining Representation
Black Trans and Queer Women’s Digital Media Production
Moya Bailey
Health Guide are but two examples of how Black queer and trans women use digital media to turn scraps into something precious (“A Herstory of the #BlackLives-Matter” 2014) . Like chitterlings, the discarded pig intestines of the Internet, can be reworked
The New Imitation Game
The Queer Sinitic Potentialities of Internet Romance Games
Carlos Rojas
, computers, and even the internet itself was driven in part by consumers seeking more convenient and discreet ways of producing, accessing, and consuming sexual content ( Coopersmith 1998 ). Conversely, these same technologies have often had a transformative
“Banal Apocalypse”
An Interview with Author Ta-wei Chi on the New Translation of The Membranes
Jane Chi Hyun Park and Ta-wei Chi
movies. Before the international trips and the internet became affordable to Taiwanese students, the outlandish movies from Europe provided Qiu, me, and other student writers proxy experiences of traveling abroad in the early 1990s. I belatedly realize
Before and After Ghostcatching
Animation, Primitivism, and the Choreography of Vitality
Heather Warren-Crow
dissemination through multiple media and its continuing life on the Internet through variations created by fans. Historically, animation has needed discursive constructions of racialized (and, I would add, infantilized and animalized) bodies as excessively
Linda Howell, Ryan Bell, Laura Helen Marks, Jennifer L. Lieberman, and Joseph Christopher Schaub
studies. Notably, Bollmer binds these areas of inquiry together by arguing against the presumption of interconnectedness. That is, he claims that “evidence of networks in nature is used to legitimate claims that the social connectivity of the internet
Ling Tang, Jun Zubillaga-Pow, Hans Rollmann, Amber Jamilla Musser, Shannon Scott, and Kristen Sollée
consideration of interactive DVDs, Internet websites, video recordings, and other technologies now long surpassed might at first appear redundant, yet they offer a useful lesson in the innovative and creative ways in which technological forms are used to give
Falling Apart Together
On Viewing Ali Atassi’s Our Terrible Country from Beirut
Ira Allen
democratic Syria. Perhaps it is fitting that the “Our Terrible Country film – The End” video has vanished now from the internet. All that remains of it, and that for the diligent searcher who knows what they are looking for, is a thumbnail-sized still image
Jane M. Kubiesa, Looi van Kessel, Frank Jacob, Robert Wood, and Paul Gordon Kramer
’s description. Her delving into the history of queer presence on television is marked by her memories of growing up with these shows, painstakingly recovering ephemeral and fleeting objects with the help of friends, VCR, and the Internet. This personal approach
Groped and Gutted
Hollywood's Hegemonic Reimagining of Counterculture
Samantha Eddy
. Film Selection by Box Office Gross. Source: Internet Movie Database Film Year Box Office Gross Scream 1996 $103,046,663 Freddy vs. Jason 2003 $82,622,655 Texas Chainsaw Massacre 2003 $80,571,655 I Know