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The Doll “InbeTween”

Online Doll Videos and the Intertextuality of Tween Girl Culture

Jessica E. Johnston

also been known to collect and play with these dolls. While the practice of playing with dolls past childhood is not new, recording and uploading these play performances to YouTube raise new considerations for scholars of girls’ media studies in

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Briony Hannell

discursively constituted. Furthermore, the performance of fangirl identities trouble age-related norms surrounding girlhood ( McCann and Southerton 2019 ), and the specificities of diasporic Muslim girlhood further complicate these discursive instabilities. For

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Attitude or Age

Girlhood in Renaissance England

Reina Green

and, therefore, with social class. In the last section of this chapter, Higginbotham discusses female children as consumers of and participants in English drama, citing the royal performance of Robert White’s Cupid’s Banishment (1617) by the students

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The Girl in the GIF

Reading the Self into Girlfriendship

Akane Kanai

described as postfeminist ( Gill 2007 ; Projansky 2007 ), requiring both the performance of feminine capacity and empowerment but under narrow, intertwined conditions of beauty, heterosexuality, and neoliberal success in education and employment ( McRobbie

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Mixed Message Media

Girls’ Voices and Civic Engagement in Student Journalism

Piotr S. Bobkowski and Genelle I. Belmas

flag, “southern pride” 1 4 Teachers acting inappropriately, discip. action 2 3 Gender, gender inequality, feminism, sexism 1 3 Vandalism 2 3 Poor athletic performance 2 3 School policies 2 3 Private/personal issues 2 3 Policy on Santa Claus, Halloween

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Tehmina Pirzada

athletic actions such as flying, running, and kickboxing. Her performance is further complicated by her rejection of the hypersexualization that is mostly imposed on Western female superheroes like “big breasts and unrealistically accentuated bodies

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Overlapping Time and Place

Early Modern England’s Girlhood Discourse and Indigenous Girlhood in the Dominion of Canada (1684-1860)

Haidee Smith Lefebvre

Man for All Ages .” The Guardian , 12 April . (accessed 14 April 2016 ). Bicks , Caroline . 2014 . “ ‘Making the Stage My Profession’: Girlhood and Performance in Mary ‘Perdita

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Cynthia Maurer

’s culture as media is integrated into conversation and performance. Conclusion: Friendship Work in Action Tween television is almost exclusively aimed at girls between the ages of seven and eleven who want to be viewed as separate from young children and is

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Anastasia Todd

” (2012:188). In this new capitalist structure emotions, affective orientations, and emotional performances have market value, and a literal example can be found in the service sector—a premium is placed on customer service, which consists of appearing

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“Can You Really See What We Write Online?”

Ethics and Privacy in Digital Research with Girls

Ronda Zelezny-Green

learning, or leisure presented a major barrier to educational participation at NDSS. The school community believed that by increasing the girls’ access to educational content after school, the learners could improve their academic performance. This, in turn