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Valentina Napolitano

Argentine tango; his support of the San Lorenzo soccer team; his special affection for the 1872 José Hernández poem “El Gaucho Martin Fierro” and the romance of the gaucho's life in the pampas that the poem immortalizes ( Ivereigh 2014: 7 ). In 1958

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Lazy Labor, Modernization, and Coloniality

Mobile Cultures between the Andes and the Amazon around 1900

Jaime Moreno Tejada

Patriótica Especial, was created among the highland bourgeoisie to pay tribute to the victims. Nationalist poems were read and calls were made to the progreso of Ecuador. More specifically, the Junta aimed to work, along with the central government, in the

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Alessandro Jedlowski

, and Migration (Berkeley: University of California Press, 1994). Imageries connected to the idea (or the reality) of a journey back home have also been the subject of much African literature, from the classic poem by Aimé Césaire, Cahiers d’un retour

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Johannes Görbert, Russ Pottle, Jeff Morrison, Pramod K. Nayar, Dirk Göttsche, Lacy Marschalk, Dorit Müller, Angela Fowler, Rebecca Mills, and Kevin Mitchell Mercer

genres are likely to end up in the same bed. It accommodates the private diary, the essay, the short story, the prose poem, the rough note, and polished table talk with indiscriminate hospitality.” 2 To this list of genres, which are now well

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Jeremy F. Walton and Piro Rexhepi

antagonistic Ottomans include Ivan Gundulić's epic Osman, Ivan Mažuranić's epic poem Smrt Smail Age Čengića (The Death of Smail-aga Čengić), and Ivan Zajc's opera Nikola Šubić Zrinski (see Walton 2019b ). 21 And there are possibly even earlier

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Dhan Zunino Singh

Uruguayan novelist Enrique Amorín put it in 1933, depicting the experience in a taxi colectivo . 47 But they can also touch each other, as Baldomero Fernandez Moreno, known as the poet of Buenos Aires, said in his poem “Underground”: “With my forehead I

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Ambivalent Mobilities in the Pacific

“Savagery” and “Civilization” in the Australian Interwar Imaginary

Nicholas Halter

Australia and New Zealand from 1895 to 1972 and was typically middlebrow in that it contained fictional stories, poems, and travel accounts by lay passengers, as well as church propaganda. Christine Weir’s analysis of literature produced for Sunday schools

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Heidi Morrison, James S. Finley, Daniel Owen Spence, Aaron Hatley, Rachael Squire, Michael Ra-shon Hall, Stéphanie Vincent-Geslin, Sibo Chen, Tawny Andersen, and Stéphanie Ponsavady

primary sources from five countries alongside hundreds of novels, travelogues, poems, and films, Mom presents what he calls “a vista on a new type of mobility studies,” one mindful of the inherently international nature of automobilism (3). Throughout the