The authors argue that the 'war on terror' marks the ultimate convergence of war with politics, and the virtual collapse of any meaningful distinction between them. Not only does it signify the breakdown of international relations norms but also the militarization of internal life and political discourse. They explore the 'genealogy' of this situation firstly through the notion of the 'state of exception'—in which sovereign violence becomes indistinct from the law that is supposed to curtail it—and secondly through Foucault's idea that politics is essentially a form of warfare. They suggest that these two ways of approaching the question of violence can only be understood through a racist dimension, which forms the hidden underside of the 'war on terrorism'. In other words, our contemporary situation is characterized by the mobilization not only of fundamentalist and conservative ideologies, but, increasingly, racial antagonisms and prejudices directed towards the Muslim other.
Reflections on Violence in the 'War on Terror'
Saul Newman and Michael P. Levine
Reel to Real: race, sex and class at the movies by bell hooks. New York and London: Routledge, 1997.
Seeing a Colour-Blind Future: The paradox of race. The 1997 Reith Lectures by Patricia J. Williams. London: Virago Press, 1997.
Race, Global Capital, and The Making of the English Working Class
W. E. B. Du Bois noted that the nineteenth-century US slave plantation corresponded with the factory in its worst conceivable form. This article expands upon Du Bois's insight to consider the emergence of the English working class in correspondence with American settler slavery and colonial projects within the British Empire. From above, elites theorized about the exploitation of labor as a world historical project to compare the enslaved, the colonized, and the English worker against one another. From below, proletarian intellectuals imagined the freedom of English laborers through the condition of the enslaved in the American South and Jamaica and the colonized in South Asia. By placing these histories from above and below together, this article argues that it is impossible to conceive of the English working class making itself and being made at remove from the enslaving and colonizing projects of global capital.
The Pedagogic Execution in French Colonial Indochina
Michael G. Vann
While there is a large body of literature on violence in colonial history, most studies have looked at either the bloodshed of conquest, major revolts, or decolonization. Despite the undeniable importance of such moments in the history of empire, an over-emphasis on these events creates a punctuated narrative where violence enters the story line, rears its ugly head, and then retreats. This paper argues that a complete understanding of the colonial encounter requires us to look at the violence in the many days between the arrival of the colonizers' expeditionary forces and the final achievement of national liberation. By examining the intersection between a rebellious band of pirates, a colonial state bent on revenge, and an opportunistic postcard maker, the portrait that emerges is one of a colonial society where violence was not just commonplace but an essential technique in maintaining the colonial order. Be it in the form of criminal violence that challenged French rule, the institutionalized violence of the state execution, or the symbolic reminders of such violence in the form of cheap postcards for sale in the city streets, acts, images, and memories of colonial violence were omnipresent. Importantly, the colonial state publicized its violence, making its ability to punish known to all. This violence terrorized the conquered native population and reassured the vulnerable white community. It is only in this context that other topics in colonial history such as educational reforms, city planning, and economic development can be understood.
The East Revisited in Dickens's Late Novels
It is a testament to Said’s critical legacy that today it is almost inconceivable to approach the Victorian novel without considering the representation (or lack thereof) of race and imperialism. Said’s conceptualisation of Orientalism as a dynamic exchange between authors and their broader political context has made a new generation of readers acutely aware of the markers of Britain’s imperial progress that had hitherto been rendered invisible.
Dickens and Sex
Holly Furneaux and Anne Schwan
This collection explores the still underrepresented topics of sex, erotics and desire in the work of Charles Dickens. Contributors draw upon and suggest new points of convergence between a wide range of theoretical perspectives including cultural phenomenology, materialism, new historicism, critical race studies, feminist and queer theory. Analysis of a broad range of Dickens’s fiction, journalism and correspondence demonstrates Dickens’s sustained commitment to exploring a diverse range of sexual matters throughout his career.
The Politics of Masculinity, Imperialism and Big-Game Hunting in Rider Haggard's She
Animal imagery and anthropomorphic parallels abound in Rider Haggard’s fantastic African adventure, She (1887). Africa itself is presented to the reader as a landscape inhabited by ‘beastly’ natives and wild animals galore. Even the novel’s overpowering female presence, that of ‘She-who-must-be-obeyed’ (as Ayesha is known by those natives over whom she rules), is eventually reduced to a simian status. Such a textual focus, fitting comfortably into a more extensive dream of Victorian empire, lent the novel cultural, as well as fictive, power. The animal imagery helped to produce durable models of African identity and otherness which were compatible with current ideas of geography, race and human evolution.
Whereas questions of race, class and gender may be uppermost in the minds of many late twentieth-century scholars and critics, in the early modern period tradition and belief were the predominant preoccupations, in practical terms, custom and Christianity were inextricably intertwined within the changing culture of the sixteenth and seventeenth centuries. An awareness of these past concerns motivates each of the seven articles in this issue, articles which re-examine literary and historical texts, not as past mirrors in which we might speculate upon our own particular preoccupations, but as sources of a more anthropological and spiritual history.
Representations of Dystopia in Literature and Film
In this issue of Critical Survey scholars from both Britain and North America analyse representations of dystopia in literature and film. In the keynote article, Patrick Parrinder offers an examination of Samuel Butler's Erewhon, contexualising it within the tradition of dystopian romance – which, he argues, saw a last flowering in the late nineteenth century. In a thought-provoking discussion Parrinder covers a range of utopian/dystopian narrative strategies and a selection of novels including The Time Machine, The coming Race and A Crystal Age.
Race, Masculinity and Closure in Ernest Gaines's Fiction
Suzanne W. Jones
In A Rage For Order: Black/White Relations in the American South Since Emancipation, Joel Williamson explores the conjuncture of race, manhood, and violence peculiar to the American South. He argues that for southern white men the traditional Victorian masculine role of provider and protector was directly linked with violence because of plantation society’s ‘necessity of controlling a potentially explosive black population.’ As early as the seventeenth century, a patrol system, made up of masters and overseers enforced the laws of slavery. By the nineteenth century, the duty of patrolling was extended to all white men, who had authority over all blacks (even free blacks) and over whites who conspired with blacks. Thus a system for controlling slaves became a practice ‘of all whites controlling all blacks … a matter of race.’ The martial role white men created for themselves became entrenched, particularly in the last decades before the Civil War as slavery came under attack by northerners from without and by rebellious slaves from within. Whites created a complementary stereotype of black people as ‘simple, docile, and manageable’ who if properly handled were like children, but if improperly cared for became animals. Williamson argues that this ‘Sambo’ figure was a figment of white wishful thinking, which functioned ‘to build white egos’ while masking their fears of black rebellion.