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Queer Sinofuturism

The Aberrant Movements and Posthumanist Mutations of Body, Identity, and Matter in Lu Yang's Uterus Man

Gabriel Remy-Handfield

transgender personae to posit a state of being that powerfully defies any stereotypes” (2018: 137). The title of the artwork also functions as an antithesis: the uterus is part of the female body, and it is now associated with the word “man,” revealing the

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Monstrous Masses

The Human Body as Raw Material

John Marmysz

: 129). As with the female stereotype discussed above, such depictions are criticized for encouraging audiences to look at the male body as something with no inner life. In its “hardness” it is solid—like an inert “thing”—and even though depicted as

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Modernist Embodiment

Sisyphean Landscape Allegory in Cinema

David Melbye

. Two film examples come to mind immediately. The first is the postwar Western, Duel in the Sun ( 1946 ), in which a half-white, half-indigenous female protagonist (Jennifer Jones) embodies a moral conflict between stereotypically “civilized” frontier