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Transitions Within Queer North African Cinema

Nouri Bouzid, Abdellah Taïa, and the Transnational Tourist

Walter S. Temple

University Press . 10.7312/boon15110 Lang , Robert . 2008 . “ Sexual Allegories of National Identity in Nouri Bouzid’s Bezness .” In North African Cinema in a Global Context: Through the Lens of Diaspora , ed. Andrea Khalil , 33 – 52 . London

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Bodies, Sexualities, and Masculinities in the Time of Coronavirus

Jonathan A. Allan, Chris Haywood, and Frank G. Karioris

protect workers in their fight against the virus. On the 75th anniversary of victory in Europe (VE Day), the prime minister urged the British public to show the “same spirit of national endeavour” that was demonstrated by those fighting Hitler seventy

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Redefining Representation

Black Trans and Queer Women’s Digital Media Production

Moya Bailey

on queer of color media production and artistic movements from the 1970s, 1980s, and 1990s, younger voices are creating innovative web series, visibility projects, and funding initiatives that reimagine mainstream narratives about their identities

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Steven Eastwood

schizoanalysis, I suggest that cinemautism might be adopted as a strategy for overthrowing the regulatory practices of cinema much in the way that schizoanalysis mounted an assault on the hegemony of psychoanalysis and the notion of uniform identity

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Minority Report

Perceptions and Realities of Black Men in Heterosexual Porn

Darryl L. Jones II

often reduced to being “an identity without dynamism” ( Gordon 2000: 88 ). In the eyes of many, they cannot (or should not) be parents or educators, advocate political positions, or do anything that would incorporate them into mainstream society. They

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Erin Ash

. Whereas a great deal of critical media scholarship focused on race has explored constructions of minority racial groups in media, research has increasingly emphasized the importance of interrogating “whiteness” as a racial identity to understanding media

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Jane M. Kubiesa, Looi van Kessel, Frank Jacob, Robert Wood, and Paul Gordon Kramer

and television time, which constitutes its viewers’ social time. The changing and intersecting narratives that constituted gay identities in the 1970s—which, as she argues along with Eve Sedgwick, were centered on the narrative of “coming out” (96

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Peter Lurie, Antonio Sanna, Hansen Hsu, Ella Houston, and Kristof van Baarle

stasis (the fixity of an identity racialized as black). The Japanese actor Sessue Hayakawa figures prominently in Maurice’s discussion of the transition period from single-shot, non-narrative “attractions” to multi-shot films that evolved into narrative

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Voicing Pride and Futurity in the Age of A.I.

An Interview with Playwright Pao-Chang Tsai on Solo Date

Jing Chen and Pao-Chang Tsai

hopes of meeting Alain's ghost in the underworld. The futility of Ho Nien's endeavors are revealed, however, when he learns his own surprising true identity: Ho Nien is actually himself an A.I. robot (also known as B46098) that is being used to model and

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The New Imitation Game

The Queer Sinitic Potentialities of Internet Romance Games

Carlos Rojas

a standard view not only of “Chinese” society, but also of Sinocentric contemporary Taiwanese society. More generally, in addition to complicating assumptions about cultural, ethnic, and national identity, Nekojishi simultaneously crosses a