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Disruptive Technology

Social Media from Modiano to Zola and Proust

Elizabeth Emery

au portrait: De Sainte-Beuve à Facebook (Paris: Hermann, 2012), 111–113. 17 George Brock, Out of Print: Newspapers, Journalism and the Business of News in the Digital Age (Philadelphia, PA: Kogan Page, 2013). 18 See Les Journalistes en France , 43

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Redefining Representation

Black Trans and Queer Women’s Digital Media Production

Moya Bailey

this context, love and care can manifest as societal regard for Black life and health but, more significantly, affirm the self within a nation state that does not. In our digital age, young people are utilizing the Internet to redefine representation

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Paula MacDowell

Who or what represents girlhood and girl culture in the global, digital age? How are girls’ identities marketed, distributed, and consumed by popular media texts that are persistently communicating gender messages with attitudes, interpretations

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The Doll “InbeTween”

Online Doll Videos and the Intertextuality of Tween Girl Culture

Jessica E. Johnston

’ve been making videos since before you were born.” The American Girl doll on AGTube functions as an object that reflects on what it means to be a tween growing up in the digital age. Sandra Weber and Claudia Mitchell refer to technological productions as

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My Words, My Literacy

Tracking of and Teaching through the On-Field Language Practices of Australian Indigenous Boys

David Caldwell, Nayia Cominos, and Katie Gloede

collection Making the Connection: Essays on Indigenous Digital Excellence ( Telstra Foundation 2014 ), and captured in Jackie Huggins’s foreword: The digital age is here to stay and no matter how we might resist it, it won’t go away. As Indigenous

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Post-Carroll

Functional Elements of the Moving Image

Philip Cowan

often classify or categorize elements according to these processes. It is my intention to examine the moving image exclusive of technical processes. In the digital age, images and their individual elements can be created in a number of ways, including

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Gracjan Cimek

the United States ( Defence 24 2019 ; Turczyn 2019 ). Poland has reconfirmed its transatlantic orientation in the first war of the digital age ( Government of Poland 2020a ; Rzeczpospolita 2019; TVP Info 2020 ). For the purposes of fueling this

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Beyond the Individual Body

Spinoza's Radical Enactivism and You Were Never Really Here

Francesco Sticchi

. 2013 . The Posthuman . Cambridge : Polity Press . Brown , William . 2013 . Supercinema: Film-Philosophy for the Digital Age . Oxford : Berghahn Books . Carocci , Enrico . 2018 . Il Sistema Schermo-Mente: Cinema Narrative e Coinvolgimento

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Cyrus Shahan

punk’s assessment of its present as such (an assessment shared by the host of post-war subcultures). 24 Yves Citton, “Learning to Read in the Digital Age: From Reading Texts to Hacking Codes,” PMLA 130, no. 3 (2015): 743–749, here 745. 25 Wolfgang

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Mirjam de Bruijn

): 61 – 98 . Ekine , Sokari , ed. 2010 . SMS Uprising: Mobile Activism in Africa . Cape Town : Pambazuka Press . Herrera , Linda . 2012 . “ Youth and Citizenship in the Digital Age: A View From Egypt .” Harvard Educational Review 82 ( 3