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Emma Celeste Bedor

own content which challenges “the dominant discourses … of beauty, body type, age race, etc.” (Lehman 2007: 111–112) . White (2003) also highlights the liberatory potential of participatory Internet culture in her work on Internet “cam girls,” and

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Brian Bergen-Aurand

, feminism and masculinity studies, trans* studies, queer theory, critical race theory, class analysis, cyborg studies, and dis/ability studies. In addition to this introduction to screened bodies, volume 1, issue 1 of the journal features research articles

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Jane M. Kubiesa, Looi van Kessel, Frank Jacob, Robert Wood, and Paul Gordon Kramer

science takes on the parental role and the future of the human race is brought into question. The final chapter, “Failed Futurity” by co-editor Andrea Wood, seems to answer this question as Wood assesses the lost future of the zombie child and the

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Transitions Within Queer North African Cinema

Nouri Bouzid, Abdellah Taïa, and the Transnational Tourist

Walter S. Temple

of the camera, which Fred throws against an abandoned boat that has washed ashore. Bouzid, whose camera’s transnational gaze does not discriminate against race or nationality, captures the very essence of Bezness, which is the omnipresent search for

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Akkadia Ford

-ed-how-transparent-tried-and-failed-represent-trans-men (accessed 30 November 2016 ). Keegan , Cael. 2015 . “ Race-ing as Temporal Dis/ability: Trans Futurism and Racial Mattering in the Films of Lana Wachowski .” Paper presented at the 8th Annual D.C. Queer Studies Symposium: Queer Speculations , 17

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Anxious Breath

An Autoethnographic Exploration of Non-binary Queerness, Vulnerability, and Recognition in Step Out

Lara Bochmann and Erin Hampson

recognize it too. Notes 1 All images in this article are taken from the short film Step Out (property of the authors). The film can be accessed here: https://vimeo.com/316172696 . 2 For example, race, ability, neurodivergence, and other forms

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Andrew J. Webber

, identity is embodied in a most ambiguous way. He inhabits an identity as a Jewish Holocaust survivor, and as such represents a scandal for the ideology of race that Lore has adopted as orthodoxy through her parents. By making Lore older than her fictional