thirty independent documentaries and TV documentaries and one feature film, Camera (2014), which is a science-fiction thriller concerned with surveillance, obsession, and gentrification. Their films have won or been nominated for a number of awards and
Search Results
Brian Bergen-Aurand
of portable and personal devices and the institutional ones of medical and surveillance imaging. It addresses the portrayal, function, dissemination, affect, and reception of screened bodies from the perspectives of gender and sexuality studies
Editorial
Situating Screen Bodies
Brian Bergen-Aurand
medical tourist as film tourist, the relationship between European art film and the archive of the black body, new ways of describing the filmic experience through Baruch Spinoza and Maurice Merleau-Ponty, the pornographic body under state surveillance
“Banal Apocalypse”
An Interview with Author Ta-wei Chi on the New Translation of The Membranes
Jane Chi Hyun Park and Ta-wei Chi
-aging benefits, all the while recording the client's biometric data. As Ari Heinrich notes, M-skin uncannily predicts contemporary forms of surveillance technology—from fitness and sleep trackers to CCTV and satellite cameras (Heinrich forthcoming). Indeed, the
Introduction
Toward a Queer Sinofuturism
Ari Heinrich, Howard Chiang, and Ta-wei Chi
. Dissatisfied with the flattened depiction of Chinese surveillance in contemporary Western Orientalist discourses, Huang refuses to go along with characterizations of Chinese netizens as passively subject to “suppression,” instead arguing for a better
Handover Bodies in a Feminist Frame
Two Hong Kong Women Filmmakers’ Perspectives on Sex after 1997
Gina Marchetti
her book People’s Pornography: Sex and Surveillance on the Chinese Internet , Katrien Jacobs (2012) speaks eloquently about the differences between Hong Kong female netizens and their counterparts across the Chinese border. 3 While Hong Kong women
Peter Lurie, Antonio Sanna, Hansen Hsu, Ella Houston, and Kristof van Baarle
are amusing ourselves to death, unaware of the fact that technology has become a tool for surveillance and the image a mere tool for seduction. We are ignorant about the apparatuses that increasingly take over control.” During the text projection