This commentary seeks to engage the issue of 'impact' in social anthropology by scrutinising the topic of open access. Drawing on the discussions that took place at the international conference 'FAQs about Open Access: The Political Economy of Knowledge in Anthropology and Beyond', held in October 2014 in Madrid, we suggest that addressing the topic of open access allows a two-fold goal. On one hand, it elucidates that public debates about open access rely on a rather minimalist notion of openness that does not yield an adequate understanding of what is at stake in those debates. On the other, we argue that expanding the notion of openness does not only allow us to revisit the debate concerning what we do as academics, how we do it and what its value is, but also to do so going beyond current notions of 'impact' and 'public value' underpinned by the principle of economic efficiency in a context of increasingly reduced research funds.
Grégory Dallemagne, Víctor del Arco, Ainhoa Montoya, and Marta Pérez
Postcolonial Intersections and Mobilities
The articles in this issue’s special section strike a balance of disciplines, geographical areas, scales, and seniority levels, and offer thought-provoking examples of studies of postcolonial intersectional locations of mobile people and ideas in Asia. This response seeks to tease out the potential avenues not only for future themes of research but also for innovative methods. It concludes with an invitation to better incorporate intersectionality into our research and acknowledge how it also plays out in our own positionality and understanding of mobility.
In this special issue, we draw on our collaborative research as the Matsutake Worlds Research Group to explore the world-making dynamics of multispecies encounters. We center our exploration on matsutake, a gourmet mushroom eaten primarily in Japan. Drawing on cases from around the world, we suggest that the cosmopolitan worlds of matsutake cannot be accounted for by any single agent or individual set of cultural or political economic processes. Rather, we propose that contingent multispecies attunements and coordinations knit together the various world-making processes that allow matsutake to flourish. We use the notion of ‘elusiveness’ to capture these shifting dynamics of attraction, coordination, and elusion.
le double revirement de Camille Mauclair
The trajectory of the writer and critic Camille Mauclair (1872–1945) was marked by two ruptures: having begun his career within the internationalized avant-gardes, oriented toward Symbolism and Anarchism, he moved away from these circles at the turn of the century. Indeed, the crisis that Symbolism and Anarchism underwent during these years led Mauclair toward Neo-Classicism. To his new esthetic vision was added, during the Great War, a nationalist positioning that led him to virulent xenophobia in the interwar period. Foreign artists were henceforth denounced by Mauclair as being the cause of France's so-called cultural decadence. The turnaround in Mauclair's esthetic and political vision reflects the “return to order” tendencies that grew stronger in French culture from the end of the nineteenth century, attaining their summit during World War II. The propagation of these tendencies was largely due to the influence that the esthetic and ideological reflections of Charles Maurras exerted in intellectual circles.
French La trajectoire de l'écrivain et critique Camille Mauclair (1872–1945) fut marquée par deux ruptures: ayant commencé sa carrière au sein des avant-gardes internationalisées, orientées vers le symbolisme et l'anarchis me, il s'éloigna de ces milieux au tournant du siècle. En eff et, la crise subie par le symbolisme et l'anarchisme durant ces années amena Mauclair vers le néo-classicisme. À cette nouvelle vision esthétique s'ajouta, durant la Grande Guerre, un positionnement nationaliste qui déboucha, dans l'entre-deux-guerres, sur une xénophobie virulente. Dès lors, les artistes étrangers furent étiquetés par Mauclair comme les responsables d'une prétendue décadence culturelle de la France. Le revirement esthétique et politique de Mauclair reflète les tendances de “retour à l'ordre,” qui se renforçaient dans la culture française depuis la fin du dix-neuvième siècle et atteignirent leur sommet durant la Seconde Guerre mondiale. La propagation de ces tendances était due, en grande partie, à l'influence que la réflexion esthétique et idéologique de Charles Maurras exerçait dans les milieux intellectuels.
Public Disorder and Problematic Policing in Occupied Roubaix during World War I
James E. Connolly
In spring 1915, the delicate issue of French factory workers fabricating sandbags for the German army led to various breaches of public order in occupied Roubaix. These workers were criticized and physically assaulted by their occupied compatriots. At roughly the same time, many such workers refused to continue working for the German military authority. This unrest continued for months, putting the French administration, especially the local police force, in a difficult situation: these civil servants sought to restore public order and avoid punishments for the population, but did not want to encourage working for the Germans. Scandals involving policemen further undermined this challenging task. This article examines and explains these understudied events in detail, considering the nature of public disorder, the narrative of the “sandbag affair,” and the problems faced by the police. This allows for an insight into occupied life, especially the primacy of public perception and judgment.
Gaston Bergery and the Politics of Late Third Republic France and the Early Vichy State
Diane N. Labrosse
In July 1940, Gaston Bergery composed the founding document of the Vichy State, the Bergery Declaration, which called for a "renaissance" of France, domestically and in terms of its relations with the New European Order. It also offered one of the first clinical autopsies of the French Third Republic. Bergery's status vis-à-vis the end of the Third Republic is important in two interrelated respects. First, his political career is indicative of the taxonomical problems of French politics between the two World Wars and during the early Vichy regime. Second, his seminal role in the creation of the Pétainist state speaks to the French political upheaval of the late 1930s, when party lines and ideological adhesions were broken and re-formed in an unpredictable manner. His principal historical importance is based upon his status as one of the most notable representatives of the cohort of left wing pacifist and anti-communist politicians who rallied to Vichy.
Ethnography between the Virtue of Patience and the Anxiety of Belatedness Once Coevalness Is Embraced
In view of this issue's focus on time and temporalities, I want to discuss a distinctive problem concerning the ethnographic representation of fieldwork experiences. Faced with increased time pressure to complete degree work and the present trend that emphasizes efficiency in graduate training, scholars are finding traditional ideals of temporality in research to be challenged as a professional standard of ethnography at the outset of their careers. To me, this compelling development in the current evolution of social and cultural anthropology needs detailed discussion in reassessing the norms of the long-established ethos of anthropological research.
Regina F. Bendix
to restart a post-pandemic work life, and epi-models fathom, mathematically, how human beings under different circumstances behave. But working together, so that resultant policy papers carry the sophistication of interdisciplinary collaboration, is
Past and Present
Yvonne Friedman and Shulamit Furstenberg-Levi
century we find the itineraries mentioning both types of guide: the pathfinder and the spiritual guide. But here we chart a change: we also find collaboration between the two. Thus, in his Viaggio in Siria e nella Terra Santa , Giovanni Failoni recounts
Welcome to the first issue of our first three-issue volume of Projections. We begin this issue with a truly exciting collaboration between a filmmaker (and scholar), Karen Pearlman, and a psychologist, James E. Cutting. Cutting and Pearlman