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Thatcher’s Sons?

1980s Boyhood in British Cinema, 2005–2010

Andy Pope

, director of two 1980s-set films in this survey— The Business (2005) and The Firm (2009) —indicates that filmmakers have a duty to evoke, through their work, authentic memories in their audience, despite the subjective nature of nostalgia. Perhaps

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Left Behind by COVID-19

Experiences of “Left-Behind” Girls in Rural China

Jue Wang

greater caretaking responsibilities during the lockdown than she did when she was attending school. She reported her frustrating experience of taking care of her brother during the pandemic and how her grandmother reinforces this gendered duty. I started

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Disney's Specific and Ambiguous Princess

A Discursive Analysis of Elena of Avalor

Diana Leon-Boys

and the grandchildren save the restaurant. Similarly, before taking off on her quest, Elena helps her grandmother prepare the kitchen and make the calabaza en tacha . Although Elena's can-do spirit helps her navigate the situation, her domestic duties

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Terms of Silence

Weaknesses in Corporate and Law Enforcement Responses to Cyberviolence against Girls

Suzanne Dunn, Julie S. Lalonde, and Jane Bailey

have violated the law or TOS, and what action was taken to resolve the complaint. Institutions that benefit from girls’ online presence have a public duty to meaningfully address abuse that works to exclude girls’ participation. Social media companies

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“This Is My Story”

The Reclaiming of Girls’ Education Discourses in Malala Yousafzai’s Autobiography

Rosie Walters

discourses by contextualizing her story, challenging assumptions that readers might make about her childhood, and turning the gaze back onto the West. In doing so, I argue that girl studies scholars have a duty to pay heed to the everyday acts and

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Sakai Magara

Activist Girl of Early Twentieth Century Japan

Barbara Hartley

lead role in the Society may have been partly because she was not overburdened with child-care duties. Influential Women in Sakai Magara's Life I referred earlier to the role of Magara's father and socialist icon, Sakai Toshihiko, in the

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“I Don't Want to Spend My Life under a Toilet Seat”

Aspiration, Belonging, and Responsible Masculinities in the Lives of White, Working-Class Boys in a Youth Inclusion Program at the YMCA

Ross Wignall

embodied and experiential learning aimed at “responsibilizing” young men through a sequence of carefully designed tests, tasks, and duties, which combines rite-of-passage style forms of becoming with spatialized forms of belonging rooted in a lattice of

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Minority Report

Perceptions and Realities of Black Men in Heterosexual Porn

Darryl L. Jones II

) Therefore, as is so often the case with minority groups whether they are based on race, religion, or other defining demographics, epistemic closure reduces adult entertainers solely to the job duties associated with their profession. Adult entertainers are

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On Shock Therapy

Modernist Aesthetics and American Underground Film

William Solomon

in a related manner, “to train the speed of our perception—in defiance of all physiology—for the extreme requirements of a technical war” (2010: 152) . 11 For a related analysis of the first-person-shooter video game Call of Duty: Black Ops , see

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Lowry Martin

exemplified by the father's actions, which make him a sympathetic accomplice rather than just the paterfamilias whose duty is to enforce the “law”—the heterosexist and theocratic rules of Moroccan society. When the father catches his son sitting in their