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Familial Intimacy and the ‘Thing’ between Us

Cuddle Curtains and Desires for Detached Relationality in Germany, Austria and Switzerland

Andreas Streinzer, Almut Poppinga, Carolin Zieringer, Anna Wanka, and Georg Marx

of affection, cuddling and chuckling sparked hope amongst many that familial hugs could once again return during the strict lockdowns in these countries (DACH), 1 which were the countries that our project aimed to study. 2 Fears about the End of

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Migration as Survival

Withheld Stories and the Limits of Ethnographic Knowability

Gerhild Perl

embedded in the afterlife of the Spanish national imaginary of al-Andalus and the resurging fear of the Moorish Other. Migration as Survival During my fieldwork in Spain and Morocco between 2014 and 2016, I repeatedly listened to migrants

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Performing humanitarian militarism

Public security and the military in Brazil

Stephanie Savell

someone insults us,” he said, “we avoid reacting, because everyone’s eyes are on the army.” Because soldiers fear being associated with the past military dictatorship, they are conscious to avoid acting with abuse. Santos’s colleague, listening to our

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Hamlet’s Catch-22

A Psychoanalytic Reading of Hamlet and Catch-22

Bahareh Azad and Pyeaam Abbasi

as to lose his Lacanian Symbolic identity which draws him down to the abyss of the uncanny state of inbetweenness: HAMLET: It will not speak; then I will follow it. HORATIO: Do not, my lord. HAMLET: Why, what should be the fear? I do not set my life

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Physically Distant – Socially Intimate

Reflecting on Public Performances of Resistance in a Pandemic Situation

Marion Hamm

. Along with remembrance of the anti-fascist struggle evoked by the song ‘Bella Ciao’, the clips brought the painful dimension of pandemic-induced separation and isolation to the fore, but also conveyed a sense of defiance: of the deadly illness, the fear

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“Loving and Cruel, All at the Same Time”

Girlhood Identity in The Craft

Emily Chandler

banding together, their strength once they form a group, and Sarah’s vulnerability following her exile, The Craft gives dimension to this fear. This is arguably where a key relevance of the film for girl audiences lies: The Craft is literally a horror

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Birgitte Bruun

HIV test caused intense concern since a positive test result is usually first associated with shame and fear of ridicule, stigma, suffering, and death. I asked Albetina and Emelda what the difference was between getting the HIV test at the clinic and

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Lesley Gill

with the white working class than leftist analyses. As rising fears of cultural eclipse, economic decline, and elite resentment drive the appeal of right-wing nationalists in the United States, Europe, India, and beyond, what role should intellectuals

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Media Ecologies of Autonomous Automobility

Gendered and Racial Dimensions of Future Concept Cars

Julia M. Hildebrand and Mimi Sheller

, that is, “family models,” in their responsibilities as mother and housewife. 52 Men, however, would be drawn to “the ‘Top Gear’ fast sports car or the impractical ‘classic car.’” 53 Second, the concept car visions also try to allay fears of the more

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The Specter of Communism

Denmark, 1848

Bertel Nygaard

both of them possess the same amount.” 2 For their part, voices on the political left and center of contemporary Danish debates echoed such vehement rejection and fear of communism, while using it to serve their own political ends, as I will