life” project, the American performance artist, sound artist, and musician made her feature following the 2011 death of a beloved family member, a small rat terrier dog named Lolabelle. The result is a powerful testament to the interspecies bonds that
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Erin Ash
essence, these motivations, while seemingly altruistic, may actually be derived from the intrinsic need to maintain white privilege and power by denying its existence through the performance of prosocial behaviors. This interpretation implies the “denial
The Cine-Fist
Eisenstein’s Attractions, Mirror Neurons, and Contemporary Action Cinema
Maria Belodubrovskaya
that differs from both. On the one hand, if we appraise the context (an acrobat’s performance), we see the clown’s actions as a stunt. On the other hand, and far more immediately, we see someone moving with their teeth to the wire, and this is painful
What Does It Mean to Be an Ecological Filmmaker?
Knut Erik Jensen’s Work as Eco-Auteur
Mette Hjort
contradiction” identifies a “discrepancy between act and content, between performance and proposition” (Philosophical Society). A contradiction of this nature—my film depicts an environment worth appreciating, but was made in ways that harmed that very
Guest Editor's Introduction
Phenomenology Encounters Cognitivism
Robert Sinnerbrink
Cinemas of Performance: The Powers of Affection . Edinburgh : Edinburgh University Press . Ferencz-Flatz , Christian , and Julian Hanich . 2016 . “ Editors’ Introduction: What Is Film Phenomenology? ” Studia Phaenomenologica 16 : 11 – 61 . doi
Gradation of Emphasis in the CinemaScope Westerns of Anthony Mann
A Style Analysis
Sam Roggen
the ASL of Mann’s work in CinemaScope clearly exceeds that of his other films. 3 The results show some deviations, such as The Glenn Miller Story (1954) and Serenade (1956), both of which feature lengthy shots of the musical performances of Glenn
The Aesthetics of Boredom
Slow Cinema and the Virtues of the Long Take in Once Upon a Time in Anatolia
Emre Çağlayan
films, this ostentatious narration makes viewers attend more closely to the film’s style and technique (once again, Béla Tarr comes to mind) as well as other aesthetic features (music, sound design, color, staging, performance). In others, it draws
Jason Dean and Geoffrey Raynor
the mask is not that of Prowse or Jones. Rather, in this scene the redeemed Darth Vader is played by Sebastian Shaw, a British actor who was well known for his performances with the Royal Shakespeare Company. One may wonder, why did George Lucas decide
“The physical anxiety of the form itself”
A Haptic Reading of Phil Solomon’s Experimental Films
Hava Aldouby
increased activity in the somatosensory cortex; and in addition, increased activation in motor and premotor regions. 7 Notwithstanding the artist’s self-proclaimed indebtedness to Ken Jacobs’s Nervous System multiple projector performances, and to the
Voicing Pride and Futurity in the Age of A.I.
An Interview with Playwright Pao-Chang Tsai on Solo Date
Jing Chen and Pao-Chang Tsai
queer body in this work provides a core sample with which to examine the incorporation of queerness, futurism, and new media via theater performance. Solo Date has been praised for its critical interrogation of love and loss in an age of artificial