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Loving and Grieving with Heart of a Dog and Merleau-Ponty's Depth

Saige Walton

life” project, the American performance artist, sound artist, and musician made her feature following the 2011 death of a beloved family member, a small rat terrier dog named Lolabelle. The result is a powerful testament to the interspecies bonds that

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Erin Ash

essence, these motivations, while seemingly altruistic, may actually be derived from the intrinsic need to maintain white privilege and power by denying its existence through the performance of prosocial behaviors. This interpretation implies the “denial

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The Cine-Fist

Eisenstein’s Attractions, Mirror Neurons, and Contemporary Action Cinema

Maria Belodubrovskaya

that differs from both. On the one hand, if we appraise the context (an acrobat’s performance), we see the clown’s actions as a stunt. On the other hand, and far more immediately, we see someone moving with their teeth to the wire, and this is painful

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What Does It Mean to Be an Ecological Filmmaker?

Knut Erik Jensen’s Work as Eco-Auteur

Mette Hjort

contradiction” identifies a “discrepancy between act and content, between performance and proposition” (Philosophical Society). A contradiction of this nature—my film depicts an environment worth appreciating, but was made in ways that harmed that very

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Guest Editor's Introduction

Phenomenology Encounters Cognitivism

Robert Sinnerbrink

Cinemas of Performance: The Powers of Affection . Edinburgh : Edinburgh University Press . Ferencz-Flatz , Christian , and Julian Hanich . 2016 . “ Editors’ Introduction: What Is Film Phenomenology? ” Studia Phaenomenologica 16 : 11 – 61 . doi

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Sam Roggen

the ASL of Mann’s work in CinemaScope clearly exceeds that of his other films. 3 The results show some deviations, such as The Glenn Miller Story (1954) and Serenade (1956), both of which feature lengthy shots of the musical performances of Glenn

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The Aesthetics of Boredom

Slow Cinema and the Virtues of the Long Take in Once Upon a Time in Anatolia

Emre Çağlayan

films, this ostentatious narration makes viewers attend more closely to the film’s style and technique (once again, Béla Tarr comes to mind) as well as other aesthetic features (music, sound design, color, staging, performance). In others, it draws

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Jason Dean and Geoffrey Raynor

the mask is not that of Prowse or Jones. Rather, in this scene the redeemed Darth Vader is played by Sebastian Shaw, a British actor who was well known for his performances with the Royal Shakespeare Company. One may wonder, why did George Lucas decide

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“The physical anxiety of the form itself”

A Haptic Reading of Phil Solomon’s Experimental Films

Hava Aldouby

increased activity in the somatosensory cortex; and in addition, increased activation in motor and premotor regions. 7 Notwithstanding the artist’s self-proclaimed indebtedness to Ken Jacobs’s Nervous System multiple projector performances, and to the

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Voicing Pride and Futurity in the Age of A.I.

An Interview with Playwright Pao-Chang Tsai on Solo Date

Jing Chen and Pao-Chang Tsai

queer body in this work provides a core sample with which to examine the incorporation of queerness, futurism, and new media via theater performance. Solo Date has been praised for its critical interrogation of love and loss in an age of artificial