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Toward a Naturalized Aesthetics of Film Music

An Interdisciplinary Exploration of Intramusical and Extramusical Meaning

Timothy Justus

Intramusical and Extramusical Meaning In Howards End (1910), E.M. Forster beautifully captured an essential question in the cognitive science of music. Early in the story, the Schlegel siblings attend a performance of Beethoven's Fifth

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Functional Elements of the Moving Image

Philip Cowan

talking about the use of sound, performance, or editing although these are of course valuable areas to study. Thomas Wartenberg highlights the fact that “moving image” is Carroll's preferred terminology for “film,” “because he rejects the claim that film

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Pascal Wallisch and Jake Alden Whritner

:// . Boatwright , Peter , Suman Basuroy , and Wagner Kamakura . 2007 . “ Reviewing the Reviewers: The Impact of Individual Film Critics on Box Office Performance .” Quantitative Marketing and

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Melenia Arouh

, 1925) by noting performance, props, and sets; and the creation of suspense in The Rope (Alfred Hitchcock, 1948) through mobile framing (2018, 204–205, 138–141). Depending on the type of exegesis required, an inclusive conception of “form” allows

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Catalin Brylla and Mette Kramer

creative application of cognitive theory in practice has been popular in performance and theater studies (e.g., May 2015 ) and creative writing (e.g., Skains 2016 ). There have also been isolated attempts to implement cognitive approaches in documentary

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The Girl in the GIF

Reading the Self into Girlfriendship

Akane Kanai

described as postfeminist ( Gill 2007 ; Projansky 2007 ), requiring both the performance of feminine capacity and empowerment but under narrow, intertwined conditions of beauty, heterosexuality, and neoliberal success in education and employment ( McRobbie

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Tehmina Pirzada

athletic actions such as flying, running, and kickboxing. Her performance is further complicated by her rejection of the hypersexualization that is mostly imposed on Western female superheroes like “big breasts and unrealistically accentuated bodies

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Laurel Hart, Pamela Lamb, and Joshua Cader

which their technologically-mediated society operates. The primer incorporates illustrated, multimedia, and animation components, drama and actors (performance), gameplay, imagined scenarios and female role models. Similar contemporary technologies that

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Anastasia Todd

” (2012:188). In this new capitalist structure emotions, affective orientations, and emotional performances have market value, and a literal example can be found in the service sector—a premium is placed on customer service, which consists of appearing

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Mixed Message Media

Girls’ Voices and Civic Engagement in Student Journalism

Piotr S. Bobkowski and Genelle I. Belmas

flag, “southern pride” 1 4 Teachers acting inappropriately, discip. action 2 3 Gender, gender inequality, feminism, sexism 1 3 Vandalism 2 3 Poor athletic performance 2 3 School policies 2 3 Private/personal issues 2 3 Policy on Santa Claus, Halloween