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Aaron Freundschuh, Jonah D. Levy, Patricia Lorcin, Alexis Spire, Steven Zdatny, Caroline Ford, Minayo Nasiali, George Ross, William Poulin-Deltour, and Kathryn Kleppinger

must also promote “a literary genre that is political in content, yet palatable and nonsubversive by virtue of its legitimation by a national institution and its conformity to a favorable horizon of expectations” (99). The other risk, as Sabo rightly

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Selective Empathy

Workers, Colonial Subjects, and the Affective Politics of French Romantic Socialism

Naomi J. Andrews

, Diderot: Du genre humain au bois d’ébène (Paris: Unesco, 2002); Loïc Rignol, Les Hiéroglyphes de la Nature: Le socialisme scientifique en France dans le premier XIX e siècle (Paris: Les presses du réel, 2014). 24 Michael Barnett, Empire of Humanity: A

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Julie Fette

’s grandfather, but he brushed it off. I asked him why he had decided to pursue a doctorate as a retiree. “Je ne suis pas le genre à ne rien faire. Ce n’est pas ma nature,” he encapsulated. He already had two licences and a maîtrise , so he signed up for a

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The Algerian Café-Hotel

Hub of the Nationalist Underground, Paris 1926–1962

Neil MacMaster

owner, Mme P., told the police that, “non habituée à ce genre de commerce, je fus en butte, dès le début, à des difficultés d’exploitation avec la clientèle FMA qui refusait de payer le loyer,” and sold the business to an FLN militant. 21 My estimate

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Derrière le massacre d’État

Ancrages politiques, sociaux et territoriaux de la « démonstration de masse » du 17 octobre 1961 à Paris

Emmanuel Blanchard

commenté par Gilles Manceron. http://www.lemonde.fr/societe/infographe/2011/10/17/les-photos-inedites-du-17-octobre-1961_1586457_3224.html#ens_id=1586465 . 66 Le 17 octobre 1961 va d’ailleurs revivifier un genre journalistique apparu au début des années

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Rethinking France’s “Memory Wars”

Harki Collective Memories, 2003–2010

Laura Jeanne Sims

and quell resistance. On the whole, the Harki memoirs as a genre are more focused on conveying personal experiences of decolonization than on exploring the origins of French colonialism in Algeria. Yet in Fatima Besnaci-Lancou’s memoir, Fille de harki