E. P. Thompson's The Making of the English Working Class was influential in Australia as it was throughout the Anglophone world. The focus of interest changed over time, starting with the fate of those of The Making's radical protesters who were transported to the Australian colonies, and then focusing on questions of class formation and the relationship between agency and structure. The peak of influence was in the 1980s, especially in the rising field of social history, and a little later in the burgeoning field of cultural history. Yet The Making's own limitations on questions of gender, race, and colonialism meant that feminist and indigenous histories, which were transforming the discipline, engaged with it only indirectly. In recent years, as the turn to transnational, imperial, and Indigenous histories has taken hold, Thompson's influence has somewhat declined.
E. P. Thompson's The Making of the English Working Class and Australia
E. P. Thompson, Biko, and the Limits of The Making of the English Working Class
E. P. Thompson's The Making of the English Working Class exercised a substantial influence on the South African academy and acted as a key shaper of a “history from below” movement in the 1980s. While Thompson's influence in South Africa has been celebrated, the limits of his circulation are less frequently explored. This article takes on this task by placing The Making alongside Steve Biko's I Write What I Like. Biko was a major figure in the emergence of the Black Consciousness Movement (BCM). The article compares the interlinked formations of which the two texts formed a part—the BCM displaced white radical intellectuals, who retreated into class analysis as an analytical alternative to race. The article also examines specific copies of the two titles found in South African libraries and uses the different patterns of marginalia as a way of tracing the individual impacts of the two texts.
The Grands Magasins Dufayel, a huge department store built on the northern fringe of late nineteenth-century Paris, had an important cultural influence on the city's working class. In a neighborhood with few public spaces, it provided a consumer version of the public square. It encouraged workers to approach shopping as a social activity, just as the bourgeoisie did at the famous department stores in central Paris. Like the bourgeois stores, it helped transform consumption from a personal transaction between customer and merchant into an unmediated relationship between consumer and goods. Through advertising the store portrayed itself as a space where the working-class visitor could participate in new and exciting forms of entertainment and technology. Its unique instore cinema and exhibits of inventions like X-ray machines and the gramophone created a new kind of urban space that celebrated the close relationship between technology and consumer culture.
Unanimously celebrated as an authentic representation of French railroad workers' resistance against the Germans during the Occupation, René Clément's La Bataille du rail (The Battle of the Rails, 1945) was a valuable piece of ideological capital in the wake of France's liberation. Through a close reading of the film's production and reception, this article shows that the film's heroic blueprinting of the Resistance was the result of mediation between two opposing points of view: that of the Marxist Left, which sought to portray the Resistance as belonging to the working class, and that of the Gaullists, who were intent on promoting the myth of an idealized "True France" without class or ideological divisions and united in its opposition to the Germans.
Julia D. Harrison
Touristic travel is about ‘going away’ and ‘coming home.’ In what follows I offer some reflection on how a group of middle and uppermiddle class Canadian tourists imagined ‘home’ in the context of their frequent travels ‘away’ – a group I have labelled ‘travel enthusiasts.’ I position these imaginings in relation to others who travel around the globe, those I am calling ‘transnationals’ – the migrants, the refugees, the exiles and the immigrants of the postmodern world.
Emily Eden and the Theatrics of Empire
This article examines the representation of Indian spaces in the 1830s/1840s travel writing of Emily Eden, sister of the Governor-General of India, and the ways in which these representations shape a fictional 'journey' into Victorian middle-class suburbia in her 1859 novel The Semi-Detached House. Eden's letters home set up an opposition between Indian spaces as essentially public and intrusive, and her remembered English spaces as the secure locations of private selfhood. However, this opposition is challenged by the theatricality of imperial ritual, which turns all spaces into stages of one form or another. These experiences inform Eden's fictional depiction of London suburbia, nearly twenty years later. The tropes of her travel writing are invoked to characterise a journey across class spaces, as the aristocratic protagonists of The Semi-Detached House venture into suburbia and encounter a different form of 'alien other': their bourgeois neighbours. A narrative of cross-class reconciliation ensues, whose apparent security is, however, undercut by the parallels between imperial ritual and bourgeois suburbia's staging of intimate family life.
Phyllis Sutton Morris, co-founder of the Sartre Society of North America and member of its executive committee for several years, died on May 31, 1997 from complications due to cancer. Phyllis received her undergraduate degree in philosophy from the University of California at Berkeley and her doctorate from the University of Michigan. She taught for several years at Kirkland College in New York and was, at various times in more recent years, on the faculty at LeMoyne College, Oberlin College, and the University of Michigan. She was a devoted teacher who dedicated a great deal of time and energy to preparing her classes and to meeting with students.
Jennifer Anne Boittin, Christina Firpo, and Emily Musil Church
This article looks at French Indochina, metropolitan France, and French West Africa from 1914 through 1946 to illustrate specific ways in which French colonial authority operated across the French empire. We look at how colonized people challenged the complex formal and informal hierarchies of race, class, and gender that French administrators and colonizers sought to impose upon them. We argue that both the French imperial prerogatives and colonized peoples' responses to them are revealed through directly comparing and contrasting various locales across the empire. Our case studies explore interracial families and single white women seeking compensation from the French in Indochina, black men de ning their masculinity, and Africans debating women's suffrage rights.
Margaret A. Majumdar
Writing in 1966, Roger Garaudy saw Althusser and Sartre occupying the two poles of contemporary French Marxist thought.1 While no-one would deny their fundamental difference in approach, the fact remains that both were participants in the same project – the modernisation of Marxism in the light of theoretical and political problems which had affected its development, with the aim of achieving an autonomous space for the intellectual to engage with Marxist theory and the practice of the working-class struggle. Both were primarily intellectuals; both were capable of intransigence
Lady Annie Brassey’s Curated Collections
Alison Clark, Catherine Harvey, Louise Kenward, and Julian Porter
Lady Annie Brassey (1839–1887) was a well-known Victorian travel writer who was also a collector, photographer, ethnographer, zoologist, and botanist and who traveled around the world aboard the privately owned yacht the Sunbeam. During these voyages she amassed a collection of approximately six thousand objects. Much more than tourist souvenirs, the collection shows a rigorous academic understanding of the disciplines she was collecting within. The ethnographic material, which makes up one-third of the collection, has gained little attention. Using her travel writing as a primary source, this article will interrogate Brassey’s role as the maker of this collection, someone whose class allowed her to travel and to pursue museum collection, curation, and education to a near-professional level. Through three case studies this article will consider how she collected and curated her own museum and used her collection for public benefit.