, Villarejo argues that these shifts in televisual representation of queers do not necessarily pave the way for societal inclusion, but rather produce queer subjectivities that are accommodated to the norms and beliefs of society at large (42). Villarejo
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Transitions Within Queer North African Cinema
Nouri Bouzid, Abdellah Taïa, and the Transnational Tourist
Walter S. Temple
modes of pornography, which gave rise to a debate among scholars, at least, if not among the public more generally on the relationship between filming practices and cultural norms. As we will see shortly, Bouzid manipulates images of the gigolo in an
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Karen Carpenter and the Body-Martyr in Queer Memory
Julian Binder
the expectations of the heteropatriarchy's binary norms of sexuality and gender, which are locally manifested in the expectations of their families and communities, often lead to self-harm (including the development of eating disorders) and the
Sol Neely
how disruptions of affective identification translate into disjunctive relationships that symbolically appropriate social and political norms, or how affective identifications are effected that harbor the possibility of rearranging more permanently our