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Cynthia Maurer

’s culture as media is integrated into conversation and performance. Conclusion: Friendship Work in Action Tween television is almost exclusively aimed at girls between the ages of seven and eleven who want to be viewed as separate from young children and is

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“Can You Really See What We Write Online?”

Ethics and Privacy in Digital Research with Girls

Ronda Zelezny-Green

learning, or leisure presented a major barrier to educational participation at NDSS. The school community believed that by increasing the girls’ access to educational content after school, the learners could improve their academic performance. This, in turn

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Bodies, Sexualities, and Masculinities in the Time of Coronavirus

Jonathan A. Allan, Chris Haywood, and Frank G. Karioris

:// . Cleary , Anne . ( 2012 ). Suicidal action, emotional expression, and the performance of masculinities . Social science & medicine , 74 ( 4 ), 498 – 505 . 10.1016/j.socscimed.2011.08.002 Davis , Ruby . 2020 . “ Number of Men Needing

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Conditional Freedom

A Portrait of Young Men's Sense of Belonging to the Street in Maputo, Mozambique

Andrea Moreira

and gave their consent, including the approval to use their names. The Performance of Masculinities in Xipamanine All of my interlocutors were men. Although I did speak with women, some of my interlocutors’ mothers and girlfriends, for instance

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Lowry Martin

performance. In frustration, he leaps out of bed and goes into the bathroom, leaving Soukaina with his computer, which she begins to browse. Finding a file with pictures of young hairless men, she confronts Ahmed by shouting that he never manages to get hard

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Elizabeth J. McLean, Kazuki Yamada, and Cameron Giles

performance and even through “residual homophobia and misogyny” (33), excludes many, including some of the most vulnerable to marginalization, stigmatization, and violence. Nevertheless, the new taxonomy is not also without its challenges, which are seen in

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When Jackie Coogan Had His Hair Cut

Masculinity, Maturity, and the Movies in the 1920s

Peter W. Lee

in terms of performance—“it gets in the blood”—and initiated “man to man” ( Hale 1921: CPv.5 ) 1 talks with him, and that all disciplining was Coogan Sr.’s responsibility. In contrast, Mrs. Coogan—or, as Jackie called her, “Muddi-dear”—was an

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“I Hope Nobody Feels Harassed”

Teacher Complicity in Gender Inequality in a Middle School

Susan McCullough

stereotypically western gender roles with girls being feminine, emotional, and what is known as soft, and boys being masculine, aggressive, and tough, and that they were policing one another’s performance of these roles. Although both sexes were engaged in this

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“For Girls to Feel Safe”

Community Engineering for Sexual Assault Prevention

Day Greenberg and Angela Calabrese Barton

against violence, proof of STEM expertise, and fully functioning apparel that was informed by and supported peer efforts to achieve social belonging through fashion performance. The girls met complex peer needs for a secret protection plan that does not

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Reading Production and Culture

UK Teen Girl Comics from 1955 to 1960

Joan Ormrod

performances in which the star functions like the shaman in taking the fans to an altered state of existence ( Rojek 2007 ). Underpinning promotional tropes, in many cases, were elements of the ordinary/extraordinary, and of fantasy, reality, and religion