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La flânerie au feuilleton?

Quotidien et modernité critique chez Siegfried Kracauer

Catherine Nesci

de Frances Mossop, Mapping Berlin : Representations of Space in the Weimar Feuilleton (Oxford : Peter Lang, 2015), 32–34. Je précise que cet article a été écrit avant la parution du livre de Mossop. 10 Sur cette illusion médiatique, voir Alain

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Chris Gavaler

fuller example. While each engraving is one unit in a chronological sequence, the individual engravings depict ‘swarming spaces’ that are ‘rife with isolated incidents’, ‘inviting the reader to a “winding walk” from one detail, one clue, to another

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Introduction

Understanding Mobilities in a Dangerous World

Gail Adams-Hutcheson, Holly Thorpe, and Catharine Coleborne

spaces to traverse. Sustainable mobilities, climate change and human mobility, mobility justice, historical mobilities in new perspectives, the mobilities of disease and war, and mobilities and the borders of the nation-state are just a few. At the

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A Transtextual Hermeneutic Journey

Horst Rosenthal's Mickey au camp de Gurs (1942)

Yaakova Sacerdoti

: intertextuality, paratextuality, metatextuality, architextuality and hypertextuality. 12 Intertextuality is the space where two or more texts conduct a dialogue, the presence of which is revealed through quotations, plagiarism and/or allusions. 13

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Bande dessinée and the Penal Imaginary

Graphic Constructions of the Carceral Archipelago

Charles Forsdick

what Léon Damas succinctly called its ‘double advantage’, of being both distant and spacious. 9 The transformation of a colonial space into a bagne served multiple purposes: it allowed removal from metropolitan France of those considered politically

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Benoît Crucifix

specificity. Peeters’s response, then, must also be read as a statement concerning what was then a fast-growing trend in comics production: not only were comics entering the exhibition space of museums and galleries (it suffices to think here of the decision

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‘The Inexhaustible Surface of Things’

Stefano Tamburini's Comic Book Work

Simone Castaldi

literary field (for example, Aldo Palazzeschi's La Passeggiata [The walk], 1910, a composition of verbal found objects). By introducing a mundane object into the sanctified space of the museum, Duchamp's urinal embraced that action of subversion of

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Michael Schuldiner

in panel 6 and the abortion in panel 7. Another point that is sometimes made as an objection to sequential analysis of Dream and Lie is that ‘spaces’ were left between individual panels to facilitate cutting the sheets into individual postcards; 18

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City Sterilization and Poverty Management

Examining a Mobility Hub in the “Redevelopment and Enhancement” of Downtown Tallahassee

Christopher M. McLeod, Matthew I. Horner, Matthew G. Hawzen, and Mark DiDonato

, hotel nights, tourist dollars, and property values are pursued in three distinct redevelopment areas. Within and between these postindustrial spaces, new connections are being sought—tram-catching tourists; food truck–perusing residents; students who

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The Medium Is the Message

Olivier Schrauwen’s Arsène Schrauwen beyond Expectations of Autobiography, Colonial History and the Graphic Novel

Benoît Crucifix and Gert Meesters

41 – indicating that there is no way out. As the water starts flooding into Arsène’s hut, the rain motif in the background increasingly encroaches upon the space taken up by the panels, Figure 7 Olivier Schrauwen, Arsène Schrauwen , pages 102