In his 1935 novel Invasion 14, Maxence Van der Meersch painted a nuanced picture of the German invasion and occupation of northern France during World War I. Despite local controversy, Invasion 14 won national and international praise, losing the Prix Goncourt by a single vote. Though neglected in the wake of World War II, when the author's treatment of Franco-German relations between 1914 and 1918 ran headlong into evolving myths of widespread resistance between 1940 and 1944, Invasion 14 has garnered renewed attention as a window onto the occupation of World War I. Heretofore unappreciated, however, is Van der Meersch's use of colonial themes of race and empire. Based on research in the Archives Maxence Van der Meersch, this study explores the author's treatment of colonial motifs, demonstrating their centrality to the novel and the debate it generated.
Maxence Van der Meersch's Invasion 14
W. Brian Newsome
Max Planck Directors as Fichtean Subjects
One of the core assumptions in agency theory has been that agency is a primordial attribute of persons: an agent is 'the origin of causal events'. However, rather than situating agency at the origin, this article argues that we should a end to where agency, within a given context, itself originates. In Germany's Max Planck Society the departmental heads – so-called 'directors' – possess a significant degree of 'agency' in realizing their personal will. Yet they are not its authors. On the contrary their agency is a secondary product of the philosophies of German Idealism, which eulogize the subjectivity of a heroic intellectual. In this analysis, the agency of the directors is not a precondition of their humanity, but the off spring of a specific cultural inheritance which frames the organization's intramural life. Organizational theorists should thus pay close attention to the geo-cultural location of their object before drawing conclusions about agency.
The most significant World War II struggle between German and Italian troops outside of Italy was the September 1943 battle for the Greek Ionian island of Cephalonia, occupied jointly after 1940 by Italian and German troops. When the post
Images of London in Dissolution in the Novels of William Le Queux
Wheatley and Ian Fleming. 1 Le Queux's works are also acknowledged as representing the worst excesses of the German ‘invasion panic’ genre in the years before 1914. In numerous novels, serialised stories and reminiscences, he reached a wide audience
Popular Music in Postwar Germany at the Crossroads of the National and Transnational
Kirkland A. Fulk
A musical undercurrent has long permeated German culture and intellectual life. For more than a century, theories and practices of folk, art, and classical music—variously understood both in their mutual interrelation and as entirely distinct
A Cautionary Tale
Beverly Crawford Ames and Armon Rezai
that this insight can, to a lesser extent, be applied to the European (monetary) union. Wolfgang Schäuble, 2010 4 Pundits around the world have criticized Germany for either trying to reshape Europe in its image or acting in its own self
Protestantischer Einfluss in griechischen Schulbüchern?
*Full article is in German
English abstract: In the nineteenth century, Anastasios Diomedes Kyriakos, a Greek professor of theology at the newly founded University of Athens, wrote a much heeded scholarly work of Greek ecclesiastical history. Kyriakos had been profoundly influenced by his German Protestant theological predecessors whose ideas, including those about Byzantium, found their way into his work, such that Byzantium was presented as an empire in constant decline. This article addresses the question whether this negative presentation of Byzantium was also adopted in Kyriakos’ school textbooks for ecclesiastical history at a time in which Byzantium was generally perceived proudly as part of Greek national historiography and identity.
German abstract: Anastasios Diomedes Kyriakos, griechischer Theologieprofessor an der neu gegründeten Universität von Athen, verfasste im 19. Jahrhundert ein bedeutsames akademisches Werk für Kirchengeschichte. Sein Werk war sehr stark von seinen deutschen, evangelischen theologischen Vorbildern geprägt, was sich nicht zuletzt bei seiner Byzanz-Darstellung niederschlägt, denn genau wie seine Vorbilder zeichnet er Byzanz als ein Reich im stetigen Verfall. Der vorliegende Aufsatz befasst sich vor allem mit der Frage, ob diese negative Byzanz-Darstellung auch in Kyriakos’ Schulbüchern für Kirchengeschichte tradiert worden ist, in einer Zeit, in der Byzanz eigentlich mit Stolz als Teil der griechischen Nationalgeschichtsschreibung und Identität betrachtet wurde.
The federal elections of 2017 brought a radical right party into parliament for the first time in postwar Germany. This fact alone would have made the rise of the Alternative for Germany (AfD) the central storyline in elections that ultimately
Introduction On 17 March 2011, the un Security Council passed Resolution 1973 authorizing the establishment of a no-fly zone and the use of force to protect the Libyan civilian population. Inside and outside of Germany, the Security Council
The Political Aesthetics of Death
In a global media market, images of war and victimhood are trafficked as master tropes of trauma situations with immense emotional appeal. Concurrent with this transformation of historical atrocities into consumable commodities, new forms of spectatorship—focused on bodies, medicine, and death—are being produced by the entertainment industry. The article examines this fascination with corpses by focusing on Body Worlds, a traveling anatomical exhibit that was initially launched in Germany. I interrogate the means by which dissected corpses are presented as popular entertainment in a post-Holocaust society and seek to explain the installation's global appeal. My research reveals that the collusion between the state and private enterprise not only endorses the global traffic in corpses but also enables the public spectacle of anatomical human bodies by negating subjectivity, violence, and history.