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Leyla Neyzi, Nida Alahmad, Nina Gren, Martha Lagace, Chelsey Ancliffe, and Susanne Bregnbæk

, Açıksöz underplays the discussion of sexuality, a subject that requires more ethnographic research in Turkey, particularly vis-à-vis violence. While Açıksöz does make some reference to the other side of the looking glass, more discussion of the complex

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Introduction

Ethnographic engagements with global elites

Paul Robert Gilbert and Jessica Sklair

.1057/9781137355973 Harrison , Elizabeth . 2013 . “ Beyond the looking glass? ‘Aidland’ reconsidered ”. Critique of Anthropology 33 ( 3 ): 263 – 279 . 10.1177/0308275X13490308 Haugerud , Angelique . 2005 . “Globalization and Thomas Friedman.” In Why America’s Top

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Is There No Honour among the Maltese?

Paradigms of Honour in a Mediterranean Moral Economy

Jean-Paul Baldacchino

, M. ( 1980 ) ‘ Honour and Shame: Problems in the Comparative analysis of Moral Systems ’, Man 15 , no. 2 : 339 – 351 . 10.2307/2801675 Herzfeld , M. ( 1999 ) Anthropology through the Looking-Glass: Critical Ethnography in the Margins of

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Nonrecording the “European refugee crisis” in Greece

Navigating through irregular bureaucracy

Katerina Rozakou

. Herzfeld , Michael . 1989 . Anthropology through the looking-glass: Critical ethnography in the margins of Europe . Cambridge : Cambridge University Press . Herzfeld , Michael . 1992 . The social production of indifference: Exploring the symbolic

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The Origins of the Stanley Hoffmann We Knew

Some Comparisons on his Vichy Years with My Family Story

Peter Gourevitch

“Self-Ensnared: Collaboration with Nazi Germany,” 2 and “In the Looking Glass: Sorrow and Pity?” 3 reprinted in a substantial collection of essays 4 that included notable pieces on Charles de Gaulle; contributions to important volumes such as La

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Carl Plantinga

contribute to this mood of melancholic foreboding and determination in the face of threat. Filmed with a chroma-key technique, the visual design of the film replicates the look of the Frank Miller comic series on which the film is based. Much of the film is

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Robert Boncardo, Jean-Pierre Boulé, Nik Farrell Fox, and Daniel O'Shiel

the structure and method in Being and Nothingness’, Constance Mui's ‘Intersubjectivity and “the look”’, William Remley's ‘Ethics of authenticity’, Matthew Ally's ‘The logics of the Critique ’, T. Storm Heter's ‘Sartre and anarchism’, Gail Linsenbard

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Murray Smith

: consider, for example, lens and film stock artifacts—lens flare, racked focus, visual distortions arising from wide or telephoto lenses, visible grain or pixilation, and color grading. Far from being marginal, exceptional qualities of the look of a film

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Andrew J. Webber

otherwise by her performances in casting. However, the look of the lead character helps to attach to the film the uncomfortable label of “beautiful,” as in the critical endorsement on the cover of the DVD: “A beautiful survival story, set against the dying

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Introduction

The Presence of the Past in the Era of the Nation-State

Nicolas Argenti

. 10.1515/9780691216386 Herzfeld , Michael . 1986 . Ours Once More: Folklore, Ideology, and the Making of Modern Greece . New York : Pella . Herzfeld , Michael . 1987 . Anthropology Through the Looking-Glass: Critical Ethnography in the Margins