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“There’s nothing makeup cannot do”

Women Beauty Vloggers’ Self-Representations, Transformations, and #thepowerofmakeup

Michele White

:// (accessed 27 February 2016 ). hattiesalt . 2015 . Instagram, 20 December. (accessed 27 February 2016 ). Hayles , N. Katherine . 2012 . How We Think: Digital Media and Contemporary

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Julia A. King

closets, basements, or storage sheds considered acceptable places to store collections, even temporarily. This is not to say that the curation crisis is over—diminishing storage space and digital media are just two emerging issues of concern ( Eiteljorg

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Finbarr Barry Flood and Jaś Elsner

, IS has not only exploited the possibilities of digital media and the Internet, but also made use of a wide variety of aesthetic forms, from visual imagery to poetry ( Creswell and Haykel 2015 ). However paradoxical it may seem, the images of

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Private Politics in the Garden of England

An Atypical Case of Anti–Wind Farm Contention

Matthew Ogilvie

provision of information via public meetings, leafleting communities, sending emails, and updating digital media (e.g., websites/social media), alongside efforts to raise the necessary finances to fund campaigns. Importantly, pre-existing and emergent

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Media Ecologies of Autonomous Automobility

Gendered and Racial Dimensions of Future Concept Cars

Julia M. Hildebrand and Mimi Sheller

house.” In terms of virtual visibility, the emerging technology must be understood as fully “public” similar to social digital media and the Internet in general. Surveillance technologies are likely to make up a crucial component of automated vehicles

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Liminal spaces, resources and networks

Facebook as a shaping force for students’ transitions into higher education

Sally Baker and Eve Stirling

Press . boyd , d. ( 2007 ) ‘ Why youth (heart) social network sites: the role of networked public in teenage social life ’, in D. Buckingham (ed.) MacArthur Foundation Series on Digital Learning – Youth, Identity, and Digital Media Volume

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The Silent Spring

Why Pro-democracy Activity Was Avoided in Gulf Nations during the Arab Spring

Charles Mitchell, Juliet Dinkha, and Aya Abdulhamid

social media was significant as it had the ability to communicate across borders and share common grievances, align street protests, and connect Arab diasporas throughout the region: “Digital media appeared to have an important role in the ignition of

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Synthetic Beings and Synthespian Ethics

Embodiment Technologies in Science/Fiction

Jane Stadler

digital media technologies. A stronger position held by scholars such as David Kirby is that the narrative prototypes envisioned on screen “establish in the social realm the viability and possibilities of a nascent technology” and that screen characters

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Manuel Stoffers, Blake Morris, Alan Meyer, Younes Saramifar, Andrew Cobbing, Martin Emanuel, Rudi Volti, Caitlin Starr Cohn, Caitríona Leahy, and Sunny Stalter-Pace

. Though not ordered in a strictly chronological fashion, O’Rourke spends the first half of the text establishing historical precedents for walking art, while the second half focuses more on contemporary walking practices and their relationship to digital

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Kata Szita, Paul Taberham, and Grant Tavinor

theme introduced in the previous chapter, is itself persuasive. Anable identifies the trend in digital media studies, “where notions of mediation and representation (and the processes of reason and subjective interpretation they require) are downplayed