avoid ideological biases that could jeopardize girls’ freedoms. Therefore, using the theory surrounding the notion of bodily integrity could shed light on where to establish a sufficient threshold since this concept encompasses agency, self
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The Rumble of Nostalgia
Francis Ford Coppola’s Vision of Boyhood
Molly Lewis
Kellener . [ 1988 ] 1990 . Camera Politica: The Politics and Ideology of Contemporary Hollywood Film . Bloomington, IN : Indiana University Press . Filmography Ballard , Carroll . 1979 . The Black Stallion . USA . Brickman , Paul . [ 1983 ] 2008
Towards a Fairer Future
An Activist Model of Black Girl Leadership
Courtney Cook
promote the notion that Black girls existed as children” (55). Both Wright and Chatelain point to an ideology that placed Black girls in the complicated maternal role of models of racial uplift and communal strength. By the end of the twentieth century
Sarah Hill
, renders racial, classed, and disabled identities invisible. As Nirmala Everelles and Kagendo Mutua state, disabled girlhood challenges the heteronormativity that is present within notions of girl power that “rest[s] heavily on ableist ideologies of
April Mandrona
. Jonsen and Robert A. Pearlman . ( 3rd ed.) Sudbury : Jones and Bartlett Learning . Jones , Owain . 2012 . “ Black Rain and Fireflies: The Otherness of Childhood as a Non-Colonising Adult Ideology .” Geography 97 : 141 – 146 . 10
Marie Puysségur
, off-screen), are too poor to allow her to continue in the traditional lycée system. This scene, of the entire film, addresses most explicitly the failure of France's universalist Republican ideology in the face of the racial, gendered, and geographic
“I Love You, Guys”
A Study of Inclusive Masculinities among High School Cross-Country Runners
Luis Morales and Edward Caffyn-Parsons
2011 ), modern youth have been documented as increasingly accepting of homosexuality and as not basing their ideologies in homophobia ( Baunach 2012 ; Keleher and Smith 2012 ; McCormack 2013), maintaining friendships with gay peers ( McCormack 2011
Chung-Hao Ku
between children and the future produces an ideology of reproductive futurism in securing “the absolute privilege of heteronormativity by rendering unthinkable, by casting outside the political domain, the possibility of a queer resistance to this
“Because There Are Young Women Behind Me”
Learning from the Testimonios of Young Undocumented Women Advocates
Carolina Silva
ideologies and strategies behind the immigrant youth movement. In the early 2000s, undocumented youth were made the face of the immigrant rights movement and were trained to tell their stories to appeal to mainstream American audiences. Immigrant rights