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Laurel Hart, Pamela Lamb, and Joshua Cader

-referential bubbles and challenge normative ideologies? How may queer girls and young women attuned to the sociopolitical dimensions of their offline communities make space to articulate their experiences with those same communities online? I participate in two

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The Rumble of Nostalgia

Francis Ford Coppola’s Vision of Boyhood

Molly Lewis

Kellener . [ 1988 ] 1990 . Camera Politica: The Politics and Ideology of Contemporary Hollywood Film . Bloomington, IN : Indiana University Press . Filmography Ballard , Carroll . 1979 . The Black Stallion . USA . Brickman , Paul . [ 1983 ] 2008

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Dustin William Louie

-violence framework is influential in social justice work, we must resist subsuming Indigenous approaches under the umbrella of non-Indigenous ideologies. In this article, I make a critical contribution to the field of technologies of nonviolence by highlighting

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Statutory Rape or Postfeminism in Pretty Little Liars?

Shara Crookston

?”), it is Aria who says that she “wants to know more about [Ezra] too.” On the surface, this seems to be the beginning of a culturally acceptable romance between two equals, reinforcing a postfeminist ideology that Aria is acting with personal autonomy in

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Sarah Hill

, renders racial, classed, and disabled identities invisible. As Nirmala Everelles and Kagendo Mutua state, disabled girlhood challenges the heteronormativity that is present within notions of girl power that “rest[s] heavily on ableist ideologies of

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Marie Puysségur

, off-screen), are too poor to allow her to continue in the traditional lycée system. This scene, of the entire film, addresses most explicitly the failure of France's universalist Republican ideology in the face of the racial, gendered, and geographic

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Chung-Hao Ku

between children and the future produces an ideology of reproductive futurism in securing “the absolute privilege of heteronormativity by rendering unthinkable, by casting outside the political domain, the possibility of a queer resistance to this

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“I Love You, Guys”

A Study of Inclusive Masculinities among High School Cross-Country Runners

Luis Morales and Edward Caffyn-Parsons

2011 ), modern youth have been documented as increasingly accepting of homosexuality and as not basing their ideologies in homophobia ( Baunach 2012 ; Keleher and Smith 2012 ; McCormack 2013), maintaining friendships with gay peers ( McCormack 2011

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“Because There Are Young Women Behind Me”

Learning from the Testimonios of Young Undocumented Women Advocates

Carolina Silva

ideologies and strategies behind the immigrant youth movement. In the early 2000s, undocumented youth were made the face of the immigrant rights movement and were trained to tell their stories to appeal to mainstream American audiences. Immigrant rights