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Todd Berliner

pleasure”? I think we can better describe it as the pleasure of finding “uniformity amidst variety,” to quote Francis Hutcheson ([1725] 2008, I.II.§III), a key concept in Hollywood Aesthetic . Keating wants to stress the unity of the performance, but we

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Murray Smith

representation of the action by means of staging, performance, camerawork, editing, and so forth; in other words, the role of style here is not merely to depict action with clarity, but to get the game of representation going in the first place. (No film

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Mirror Neurons and Film Studies

A Cautionary Tale from a Serious Pessimist

Malcolm Turvey

return to), its assertion that I must have already performed a movement and know its meaning by way of its neural representation in order to understand its performance by another, the mirror neuron simulation theory of action understanding seemingly

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Brenda Austin-Smith, Matthew Cipa, and Temenuga Trifonova

aesthetic merits of film (the rhythms of tap-dancing, say) are superficial, but no less significant for that which a single-minded concern with meaning can obscure. Other merit qualities, such as those of performance or texture or tone or mood, can be

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“Like Alice, I was Brave”

The Girl in the Text in Olemaun’s Residential School Narratives

Roxanne Harde

. In dedicating the second volume to northern First Peoples, the TRC delineates differences dictated by cultures and geographies; these differences are the focus of Keavy Martin’s (2011) study of Inuit writing, storytelling, and performance as an

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“I Hope Nobody Feels Harassed”

Teacher Complicity in Gender Inequality in a Middle School

Susan McCullough

stereotypically western gender roles with girls being feminine, emotional, and what is known as soft, and boys being masculine, aggressive, and tough, and that they were policing one another’s performance of these roles. Although both sexes were engaged in this

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“For Girls to Feel Safe”

Community Engineering for Sexual Assault Prevention

Day Greenberg and Angela Calabrese Barton

against violence, proof of STEM expertise, and fully functioning apparel that was informed by and supported peer efforts to achieve social belonging through fashion performance. The girls met complex peer needs for a secret protection plan that does not

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Naughtiest Girls, Go Girls, and Glitterbombs

Exploding Schoolgirl Fictions

Lucinda McKnight

contemplates how curriculum design occurs in the context of broader media culture and involves the performance of gendered identities—coercively gendered yet with this very coercion providing opportunities for speaking back, as Judith Butler (1997) suggests

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Emily Bent

similar pattern of blending girl activist agendas with theatrical performance based on girls’ creative submissions each year. Girl advocates from WGG moderate the event, introducing high-level respondents and girl activists, providing content overviews

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Holding Up Half the Sky

Global Narratives of Girls at Risk and Celebrity Philanthropy

Angharad Valdivia

Performances of Aid Celebrity Outside the Mainstream Hollywood/UK Circuit .” Celebrity Studies 6 ( 4 ): 505 – 518 . 10.1080/19392397.2015.1087216 Harris , Anita . 2004 . Future Girl: Young Women in the Twenty-First Century . London : Routledge . 10