One of the core assumptions in agency theory has been that agency is a primordial attribute of persons: an agent is 'the origin of causal events'. However, rather than situating agency at the origin, this article argues that we should a end to where agency, within a given context, itself originates. In Germany's Max Planck Society the departmental heads – so-called 'directors' – possess a significant degree of 'agency' in realizing their personal will. Yet they are not its authors. On the contrary their agency is a secondary product of the philosophies of German Idealism, which eulogize the subjectivity of a heroic intellectual. In this analysis, the agency of the directors is not a precondition of their humanity, but the off spring of a specific cultural inheritance which frames the organization's intramural life. Organizational theorists should thus pay close attention to the geo-cultural location of their object before drawing conclusions about agency.
Max Planck Directors as Fichtean Subjects
The AFD—Background, Facts and Figures In September 2017 a new right-wing political party, called the Alternative for Germany or AfD entered Germany’s parliament with ninety-two MPs. 1 This is the first time that a right-populist party has gained
Introduction On 17 March 2011, the un Security Council passed Resolution 1973 authorizing the establishment of a no-fly zone and the use of force to protect the Libyan civilian population. Inside and outside of Germany, the Security Council
Entangled Histories of the Greek–German Relationship and Their Varied Effects
I In the first seven months of 2015, an unprecedented number of irregular migrants from Africa and Asia sought asylum in Western Europe. Germany, in particular, became the destination of large numbers of asylum seekers, including tens of
Protestantischer Einfluss in griechischen Schulbüchern?
*Full article is in German
English abstract: In the nineteenth century, Anastasios Diomedes Kyriakos, a Greek professor of theology at the newly founded University of Athens, wrote a much heeded scholarly work of Greek ecclesiastical history. Kyriakos had been profoundly influenced by his German Protestant theological predecessors whose ideas, including those about Byzantium, found their way into his work, such that Byzantium was presented as an empire in constant decline. This article addresses the question whether this negative presentation of Byzantium was also adopted in Kyriakos’ school textbooks for ecclesiastical history at a time in which Byzantium was generally perceived proudly as part of Greek national historiography and identity.
German abstract: Anastasios Diomedes Kyriakos, griechischer Theologieprofessor an der neu gegründeten Universität von Athen, verfasste im 19. Jahrhundert ein bedeutsames akademisches Werk für Kirchengeschichte. Sein Werk war sehr stark von seinen deutschen, evangelischen theologischen Vorbildern geprägt, was sich nicht zuletzt bei seiner Byzanz-Darstellung niederschlägt, denn genau wie seine Vorbilder zeichnet er Byzanz als ein Reich im stetigen Verfall. Der vorliegende Aufsatz befasst sich vor allem mit der Frage, ob diese negative Byzanz-Darstellung auch in Kyriakos’ Schulbüchern für Kirchengeschichte tradiert worden ist, in einer Zeit, in der Byzanz eigentlich mit Stolz als Teil der griechischen Nationalgeschichtsschreibung und Identität betrachtet wurde.
through this analysis. In spite of this, the importance of these authors, even in the narrower field of travel writing, is relatively unknown. This may be in part due to the fact that the study of German colonialism—although now firmly established
The Political Aesthetics of Death
In a global media market, images of war and victimhood are trafficked as master tropes of trauma situations with immense emotional appeal. Concurrent with this transformation of historical atrocities into consumable commodities, new forms of spectatorship—focused on bodies, medicine, and death—are being produced by the entertainment industry. The article examines this fascination with corpses by focusing on Body Worlds, a traveling anatomical exhibit that was initially launched in Germany. I interrogate the means by which dissected corpses are presented as popular entertainment in a post-Holocaust society and seek to explain the installation's global appeal. My research reveals that the collusion between the state and private enterprise not only endorses the global traffic in corpses but also enables the public spectacle of anatomical human bodies by negating subjectivity, violence, and history.
Narrative Identity and the Other in the Discourse of the PEGIDA Movement
Adrian Paukstat and Cedric Ellwanger
PEGIDA, the self-proclaimed ‘Patriotic Europeans against the Islamization of the Occident’ movement is a highly debated topic in Germany. Over the course of the refugee crisis it has become clear that this movement would not perish as quickly as many analysts thought. The authors investigated PEGIDA's narrative identity (Ricoeur 2005) in relation to their conceptions of Self and Other, using Keller's (2008) Sociology of Knowledge Approach to Discourse (SKAD). In this, the authors utilize discourse-related paradigms to reconstruct subject positions and narrative identities, as articulated in public speeches and commentary of PEDGIDA supporters in 2014-5. Beyond the issue of PEGIDA itself, this study aims to introduce new paradigms on collective political identity, which can also shed new light on the issue of populist movements in a time of a legitimacy crisis of the European Union and the growing numbers seeking refuge in Europe.
Louise K. Davidson-Schmich
countrymen and women have enjoyed. 2 Sexual minorities are just that, a very small—and, at times, disliked—portion of the electorate, and parties may see little utility to courting their votes. Instead, many advances in lgbti rights in Germany and
In the German history of concepts, the era between 1760 and 1840 has been of special interest. The historian Reinhart Koselleck famously called this period a Sattelzeit , a time when not only cultural formations and social structures but also