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Ethical Engagement with Movies

Response to Carl Plantinga's Screen Stories

Cynthia Freeland

( 4 ): 349 – 360 . https://doi.org/10.2307/431572 10.1111/1540_6245.jaac48.4.0349 De Sousa , Ronald . 1987 . The Rationality of Emotion . Cambridge, MA : MIT Press . 10.7551/mitpress/5760.001.0001 Kivy , Peter . 1997 . Philosophies of

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Carl Plantinga

interesting were it not for the rhetorical and persuasive power of screen stories worldwide. The first part of the book develops a theory of that power, drawing on the philosophy of film and literature, evolutionary accounts of storytelling, and social science

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Lieke Hettinga and Terrance Wooten

. A deeply interdisciplinary project, Chen's study traverses—with ease—through performance studies, film and media studies, philosophy, queer studies, and critical ethnic studies in order to position its stakes. Dancing and drifting through these

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James E. Cutting

.1038/srep02758 . 10.1038/srep02758 Stökl , Albert . 1887 . Handbook of the History of Philosophy . Trans. Thomas A. Finlay . Dublin : M. H. Gill and Son . https://maritain.nd.edu/jmc/etext/hhp.htm . Walker , Edward L . 1981 . “ The Quest

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Post-Carroll

Functional Elements of the Moving Image

Philip Cowan

. 2006 . “ The Moving Image: Form and Fact: Responses to Tom Wartenberg and Andrew Light .” In Film and Philosophy 10 : 173 – 182 . https://doi.org/10.5840/filmphil20061013 . 10.5840/filmphil20061013 Coates , Paul . 2010 . Cinema and Colour

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Objet A(ffect) and Che(www) Vuoi

The Fleshy Horror of the Unknowable Other in Spring and Honeymoon

Dewey Musante

? In Eugene Thacker’s In the Dust of This Planet , the author attempts to analyze the discreet unknowableness of the world or what he would call “the horror of philosophy.” He writes, “Our phenomenal experience of the world is determinatively a human

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The Feel-Good Film

Genre Features and Emotional Rewards

Keyvan Sarkhosh and Winfried Menninghaus

and Kritik 1 ( 1 ): 15 – 20 . https://doi.org/10.14361/pop.2012-0103 . 10.14361/pop.2012-0103 Solomon , Robert C. 1990 . “ In Defense of Sentimentality .” Philosophy and Literature 14 ( 2 ): 304 – 323 . https://doi.org/10.1353/phl.1990

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Shaping Edits, Creating Fractals

A Cinematic Case Study

James E. Cutting and Karen Pearlman

Dyshluk 2016 ). Rhythm continues, throughout the twentieth and twenty-first centuries, to excite much discussion in the philosophy of film (see, for example, Deleuze 1989 ; Merleau-Ponty 1964 ; Mitry 1990 ; and Sobchack 1994 , 2008 ). Among filmmakers

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Margrethe Bruun Vaage and Gabriella Blasi

markedly interdisciplinary and requires open-mindedness in bringing together philosophy, natural sciences, and social sciences in tackling the complex issues related to human-nature relations. The general aim of ecocriticism is, however, very practical

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“The physical anxiety of the form itself”

A Haptic Reading of Phil Solomon’s Experimental Films

Hava Aldouby

. “ Embodying Movies: Embodied Simulation and Film Studies .” Cinema: Journal of Philosophy and the Moving Image 3 : 183 – 210 . Gallese , Vittorio , and Michele Guerra . 2015 . Lo Schermo Empatico. Cinema e Neuroscienze . Milano : Raffaello