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Andrew J. Ball

future, such as installation art, artificial intelligence, biotechnology, gaming, digital art, posthumanism, and film. And in keeping with the established emphases of the journal, these two issues feature the foremost innovations in queer theory, gender

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More Than Just a Simple Refrain?

The Figure of the Girl in International Cinema

Elspeth Mitchell

-Rance explores the spatial metaphors of queer adolescence. Bradbury-Rance asks why there has been an under-theorization of the adolescent figure so that she can then offer us a compelling study that addresses this deficiency through a queer-feminist framework

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Ling Tang, Jun Zubillaga-Pow, Hans Rollmann, Amber Jamilla Musser, Shannon Scott, and Kristen Sollée

censorship; (4) how the consuming and producing of sexually explicit homoerotic Boy’s Love cultural products indicates a request for queer, feminist, and non-normative eroticism of Hong Kong and Chinese women; and (5) how the women in Hong Kong and China

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Lieke Hettinga and Terrance Wooten

emergent change. Through an extensive analysis of a variety of sources—the range of material includes early filmmaking, contemporary art, trans “docu-pornography,” and avant-garde queer cinema—Steinbock proposes to think of both cinema and transgender

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Editorial

Screening Vulnerability

Brian Bergen-Aurand

the time I first encountered Robert McRuer’s Crip Theory: Cultural Signs of Queerness and Disability soon after its publication in 2006, I began to turn my research and teaching from queer theory toward disability studies and crip theory. Or, it

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Introduction

Visibility and Screen Politics after the Transgender Tipping Point

Wibke Straube

certainly an important task to consider the homonormative, nationalist norms embedded in the romanticized ideal of trans and queer visibility. It might be time to abandon mainstream visibility politics, to follow the argument of the editors of the anthology

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Editorial

Situating Screen Bodies

Brian Bergen-Aurand

activist Zanele Muholi first conceptualized Inkanyiso as “a flexible and unique source of information for art advocacy” where queer activism = queer media. In 2009, Muholi registered the platform with the Department of Social Services “in response to the

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Mette Louise Berg, Elena Fiddian-Qasmiyeh, and Johanna Waters

, as examined by Julia Suárez-Krabbe and Annika Lindberg. Following that, Aydan Greatrick's contribution also continues our inaugural theme of hospitality and hostility via his analysis of the problematic politics of queer organizations which “coach

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Brian Bergen-Aurand

femininity on edge and in transformation. Brought together with our reports on Genital Call and Genitals on Trial by Giegold and Weiß and the Inaugural Scottish Queer International Film Festival, as well as reviews of books and other media, this issue of

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Covidiots and the Clamour of the Virus-as-Question

Some Reflections on Biomedical Culture, Futurity and Finitude

Bryan Lim

covidiot on a popular gay Facebook group opines, we ‘were told to shut down to avoid overruns of the hospitals [and] not that we would shut down as a cure’. My covidiots are queer, but they are also Edelman's (2004) queers because they do not fight for