the influence to prevent repression on their own, and there was no open conflict between the generations over the question of violent intervention. By then, rather, the entire leadership cadre was so deeply convinced of socialism’s superiority and so
Who Were These Men and Why Did They Not Crush Mass Protest in 1989?
Uwe Krähnke, Anja Zschirpe, Philipp Reimann, and Scott Stock Gissendanner
Continuity and Change Across Three Decades
David F. Patton
In 1989-1990, peaceful protests shook the German Democratic Republic (GDR), ushered in unification, and provided a powerful narrative of people power that would shape protest movements for decades to come. This article surveys eastern German protest across three decades, exploring the interplay of protest voting, demonstrations, and protest parties since the Wende. It finds that protest voting in the east has had a significant political impact, benefiting and shaping parties on both the left and the right of the party spectrum. To understand this potential, it examines how economic and political factors, although changing, have continued to provide favorable conditions for political protest in the east. At particular junctures, waves of protest occurred in each of the three decades after unification, shaping the party landscape in Germany.
Anticommunism, crisis, and the transformation of labor in Bulgaria
nationalized under socialism and, along with other workshops, became part of a large-scale glassworks industry employing Soviet technology and expertise. This industry demonstrated considerable growth until the end of the 1970s but was facing financial
Franz A. Birgel
Characterized by Siegfried Kracauer as "the first and last German film that overtly expressed a Communist viewpoint," Kuhle Wampe (1932) is also noteworthy for being the only film on which Bertolt Brecht collaborated from beginning to end, as well as for its controversial censorship in the tumultuous political context of the late Weimar Republic. When set against the background of the 1920 Motion Picture Law and the censorship of two other high-profile films—Sergei Eisenstein's Battleship Potemkin and Lewis Milestone's All Quiet on the Western Front—the political history of Kuhle Wampe highlights the indecisiveness, fragility, and fears of the German Left as the Nazis prepared to take power.
Images of Refugees in Three Leading German Quality Newspapers
Maximilian Conrad and Hugrún Aðalsteinsdóttir
-to-terms with and taking responsibility for the crimes committed under National Socialism. The concept has clearly been one of the leitmotifs of the foreign policy of the Bonn and Berlin Republics, both in relation to Germany’s role in European integration and
Maria Bucur, Alexandra Ghit, Ayşe Durakbaşa, Ivana Pantelić, Rochelle Goldberg Ruthchild, Elizabeth A. Wood, Anna Müller, Galina Goncharova, Zorana Antonijević, Katarzyna Sierakowska, Andrea Feldman, Maria Kokkinou, Alexandra Zavos, Marija M. Bulatović, Siobhán Hearne, and Rayna Gavrilova
, and several films. Bonfiglioli argues that because during state socialism factories functioned as “microcosms of socialist values” (19), instilling certain structures of feeling, during postsocialism women textile workers narrate deindustrialization as
Helen Hundley, Peter Jordon, Alexander D. King, Victor L. Mote, and Kathryn Pinnick
David Schimmelpenninck van der Oye, Toward the Rising Sun. Russian Ideologies of Empire and the Path to War with Japan (Dekalb, Ill.: Northern University Press, 2001) 329pp. £31.95 (hb); $42.00 (hb) ISBN 0-87580-276-1 (hb)
Anna Reid, The Shaman’s Coat: A Native History of Siberia (London: Weidenfeld and Nicolson, 2002) 226pp. £20.00 (hb). ISBN 0-2976-4377-0 (hb)
Kira Van Deusen, Raven and the Rock: Storytelling in Chukotka (Seattle: University of Washington Press, 1999) 216pp. £20? (hb) ISBN 0-295-97841-4 (hb) Matthew J. Payne, Stalin’s Railroad: Turksib and the Building of Socialism Victor L. Mote
Matthew J. Payne, Stalin’s Railroad: Turksib and the Building of Socialism (Pittsburgh: University of Pittsburgh Press, 2001) 384pp. £23.00, ISBN 0-8229-4166-X
Jennifer Considine and William Kerr, The Russian Oil Economy (Cheltenham: Edward Elgar Press, 2002) 360pp. £69.95 (hb), ISBN 1-84064-758-2 (hb)
Andrew Gamble and Rajiv Prabhakar
Asset egalitarianism is a new agenda but an old idea. At its root is the notion that every citizen should be able to have an individual property stake, and it has recently been revived in Britain and in the U.S. in a number of proposals aimed at countering the huge and growing inequality in the distribution of assets. Such asset egalitarianism is fed from many streams; it has a long history in civic republican thought, beginning with Thomas Paine and Thomas Jefferson, but has also featured in the distributist theories of G.K. Chesterton and Hilaire Belloc; the guild socialism of G.D.H. Cole and the ethical socialism of R.H. Tawney; the market liberalism of the Ordo Liberals and some of the Austrian School, particularly F.A. Hayek; and more recently the market socialism of James Meade, A.B. Atkinson and Julian Le Grand, and the market egalitarianism of Michael Sherraden, Samuel Bowles, Herbert Gintis, Richard Freeman and Bruce Ackerman. There are also important links to the proponents of a citizens’ income as a different approach to the welfare state (White 2002) as well as to the ideas of stakeholding (Dowding et al. 2003).
Dennis B. Klein
Thinking About the Holocaust After Half a Century, edited by Alvin H. Rosenfeld
The Twisted Muse: Musicians and Their Music in the Third Reich, by Michael Kater
Science under Socialism: East Germany in Comparative Perspective, edited by Kristie Macrakis and Dieter Hoffmann
Brigitte H. Schulz
The East German Church and the End of Communism, by John P. Burgess
Russell J. Dalton
Stability and Change in German Elections: How Electorates Merge, Converge or Collide, edited by Christopher J. Anderson and Carsten Zelle
European Integration and Supranational Governance, edited by Wayne Sandholtz and Alec Stone Sweet
Young Wilhelm: The Kaiser’s Early Life, 1859-1888, by John C. G. Röhl
Manfred H. Wiegandt
Die Weimarer Reichsverfassung, by Christoph Gusy
Commemorating National Socialism and Communism from the perspective
of 1989 often results in an uneasy conflation of German
guilt and victimhood. When the events of 1933-1989 are presented
as one long authoritarian period, war and tyranny can easily be construed
as external forces that simply befell the German nation.
While memories of national guilt are divisive, memories of victimhood
unify and simplify an otherwise ambiguous past. The 1995
restoration of Berlin’s Neue Wache is emblematic of this conflation
of guilt and victimhood. As the central German memorial to all victims
of war and tyranny, the Neue Wache neither distinguishes
between dictatorships, nor between perpetrator and victim.