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Comics and Adaptation

Armelle Blin-Rolland, Guillaume Lecomte, and Marc Ripley

narrative strategies and paratextual material, Lecomte proposes that Sattouf’s comic occupies a seemingly contradictory space that Pascal Lefèvre identifies with factual comics, which derive their sense of authenticity from a specific relational model that

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Fresh off the Boat and Off to the Presses

The Origins of Argentine Comics between the United States and Europe (1907–1945)

Amadeo Gandolfo and Pablo Turnes

Herald ); it was printed in black and white (while originally colour had been a fundamental part of its appeal); and unlike its US version, it shared the space of the page with other strips, which diminished its impact. 25 Paradoxically, the decision to

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Harriet Kennedy, Elizabeth (Biz) Nijdam, Logan Labrune, and Chris Reyns-Chikuma

the technical elements of each individual approach to rendering disaster and violence. It is here that her concern with the space of the comics page and the role that this plays in chronicling time returns to the fore. The book’s ‘coda’ includes a

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Perspectives on Cinema and Comics

Adapting Feature Films into French-Language Comics Serials during the Post-war Years

Alain Boillat

phases, such as the moment when one of Captain Thorpe’s men smashes open the door of the cabin where the ambassador and his daughter are staying. This is a key moment because it brings two spaces into contact with each other, which allows the romance to

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The Art of Braiding

A Clarification

Thierry Groensteen

Unlike film, where images appear on the screen one at a time, each disappearing to give way to the next, comics is made up of a plurality of images that are co-present before the reader’s eyes. 1 They share a segmented space and, being printed and

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Thierry Groensteen

them more and more space in the journal. This shift of emphasis was not to the taste of everyone in the team. Luc Dellisse, in particular, was very hostile to US comics, whoever their author. The printer that I had chosen, Offpress, had the prime

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With an Open Mind and Open Heart

Collections Care at the Laboratory of Archaeology

Kate Roth

Department of Anthropology. LOA’s facilities are located both in the Department of Anthropology at UBC as well as the neighboring Museum of Anthropology (MOA) and include laboratories, collections storage spaces (including ancestral housing), offices, and an

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Looking Awry at Georgian Caricature

Lacan and the Satirists

David Morgan

‘cone’ of visual space (the visual space encapsulated by the device of single-point perspective), that subject, at the same moment, is itself captured within a separate field, or ‘cone’, of vision: that of the gaze of the Other: ‘What determines me, at

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Women's Liberation

Swedish Feminist Comics and Cartoons from the 1970s and 1980s

Anna Nordenstam and Margareta Wallin Wictorin

the Fnitter anthologies. Some comics originally published in individual fanzines were reprinted in Fnitter , and we will not elaborate on those here, as we have limited space. The article describes and analyses the comics published in

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‘Are We Coming to Make a Documentary or a Surrealist Film?’

Demythifying Luis Buñuel’s Tierra sin pan in Fermín Solís’s Buñuel en el laberinto de las tortugas

Marc Ripley

popular in High Extremaduran, the vernacular of the region (e.g. cigarrino instead of the standard cigarrillo [cigarette]), places the Hurdanos, both in terms of space and social class. I contend that Solís’s decision to transcribe phonetically the