Drawing on his extensive psychoanalytic ethnographic work among the Parintintin Indians of Brazil, the author discusses the place of dreaming in Parintintin shamanism. In this culture, dreams are spiritually significant, and there are traditional modes of interpreting them. While dream interpretation was formerly the province of shamans, even ordinary people are considered to have the capacity to use dreams to predict events and sense feelings directed toward them. The article deals primarily with the dreams of an informant who was not a shaman but had an intense interest in this practice. Because his birth had not been 'dreamed' by a shaman, he was not considered to be one; nevertheless, he experienced in dreams the cosmic journey of a shaman. While the informants' dreams manifest yearnings in what could be considered stereotypical forms, the author finds that they do express personal meanings and reflect intimate, unconscious wishes.
Dreaming and Shamanism in a Brazilian Indigenous Society
Waud H. Kracke
Gayatri Chakravorty Spivak
How is it possible to reconcile what I learn in the field with what I teach for a living? This paper shows how an answer seems to have formulated itself in practice. The reconciliation is fractured. The problem could have been more easily solved if I had decided to ‘teach’ (transcode for academic use) what I learned in the field. I hope you will work out from what follows why this is not an option for my stereotype of myself, why that solution would have been more a part of the problem, for me, than this incoherence. I give you the dilemma, as its reconciliation. The first section is about what I learn in the field: other women. The second about how that has changed what I teach for a living: literary criticism.
Reading Muslim Masculinities through Muslim Femininities in Ms. Marvel
Shenila S. Khoja-Moolji and Alyssa D. Niccolini
In this article we examine the production and operation of the character, Kamala Khan, a Muslim American-Pakistani superheroine of the Ms. Marvel comic series, to glean what this reveals about Islam and Muslims, with particular attention to representations of Muslim masculinities. We argue that Ms. Marvel's invitation to visualize Muslim girls as superheroes is framed by a desire to interrupt rampant Islamophobia and xenophobia, yet, in order to produce such a disruption it relies on, and (re)produces, stereotypical conceptualizations of Muslim masculinities as mirrored in men who are conservative, prone to irrational rage, pre-modern, anachronistic, and even bestial. However, as the series progresses we notice the emergence of representations of complex and complicated Muslim masculinities that cast doubt on these tired, hackneyed ones, thus making way for a comic to undertake the pedagogical work of resistance. We see this graphic novel, like the shape-shifting Kamala herself, as wielding potentially dynamic and transformative power in social imaginaries.
As host of the 2006 soccer World Cup in June and July 2006, Germany was suddenly full of different Germans, waving millions of black-red-gold mini flags and wearing their (and others') national colors with abandon. Was this show of nationalism a new kind of trans/national patriotism? Most certainly, the national enthusiasm exhibited in Germany had nothing whatsoever to do with past demonstrations of patriotism. With the focus on the country as host to world soccer aficionados, the world also learned of a multicultural Germany that has existed for the last fifty years or so. It learned that it is not always successful with its social and economic problems, and that the desire for national unity is sometimes difficult to fulfill. Quite correctly, the national media described Germany as joyous, generous, and open-minded hosts. In the foreign press, too, the old stereotypes were broken down.
Sri Lanka in the Writings of Donald Friend, Shiva Naipaul, and Julian West
S. Walter Perera
Sri Lanka remains a popular site for international travelers despite its recent political instability. In examining texts based on sojourns spent in Sri Lanka by Donald Friend, Shiva Naipaul, and Julian West, this article argues that, though supposedly more informed about the island than their predecessors, these visitors from the latter half of the twentieth century eschew enlightened approaches in their writing for those that continue to exoticize, demonize, or stereotype the island's people, culture, environment, and politics. That their backgrounds and countries of origin are dissimilar makes little difference in their attitudes. The narrative strategies that they employ, which are often calculated to attract a certain kind of Western reader, irretrievably enervate their works and render futile the hopes expressed by recent postcolonial critics: that contemporary writing based on travel could lead to greater intercultural understanding between travelers and the local inhabitants that they encounter on their journeys.
Anger in Popular Hindi Cinema
The article advocates the importance of studying conceptual meaning and change in modern mass media and highlights the significance of conceptual intermediality. The article first analyzes anger in Hindi cinema as an audiovisual key concept within the framework of an Indian national ideology. It explores how anger and the Indian angry young man became popularized, politicized, and stereotyped by popular films and print media in India in the 1970s and 1980s. The article goes on to advocate for extending conceptual history beyond language on theoretical grounds and identifies two major obstacles in political iconography: the methodological subordination of visuals to language in the negotiation of meaning, and the distinction of emotion and reason by assigning them functionally to different sign systems.
Livia Jiménez Sedano
This is a brief reflection on the consequences of the commodification of dance cultures from the former colonised world and the ways they are consumed in Europe. Inspired from ten years of fieldwork, the ethnic structuring of postcolonial dance floors in European cities proves an empirical basis to start this line of thought. Instead of promoting respect and interest in the dance forms and the cultural contexts in which these dance forms developed, aficionados tend to consider that these are less evolved, beautiful and interesting than the appropriations they develop in their home countries. As a result, commodification leads to reinforcing previous stereotypes and emic hierarchies of value. The kinetic metaphor of the bodies that scream but cannot listen structures the text and its arguments.
Danish Middle-Class Consumption, Egalitarianism, and the Sanctity of Inner Space
Jeppe Trolle Linnet
In this article, the style of social interaction known as hygge is analyzed as being related to cultural values that idealize the notion of 'inner space' and to other egalitarian norms of everyday life in Scandinavian societies. While commonly experienced as a pleasurable involvement in a social and spatial interior, hygge is also examined as a mode of withdrawal from alienating conditions of modernity. In spite of its egalitarian features, hygge acts as a vehicle for social control, establishes its own hierarchy of attitudes, and implies a negative stereotyping of social groups who are perceived as unable to create hygge. The idea of hygge as a trait of Scandinavian culture is developed in the course of the interpretation, and its limitations are also discussed against ethnographic evidence that comparable spatial and social dynamics unfold in other cultural contexts.
Western representations of the Other are criticized by anthropologists, but similar hegemonic classifications are present in the relationships between anthropologists who are living in the West and working on the (post-socialist) East, and those working and living in the (post-communist) East. In a hierarchical order of scholars and knowledge, post-socialist anthropologists are often perceived as relics of the communist past: folklorists, theoretically backward empiricists, and nationalists. These images replicate Cold War stereotypes, ignore long-lasting paradigm shifts as well as actual practices triggered by the transnationalization of scholarship. Post-socialist academics either approve of such hegemony or contest this pecking order of wisdom, and their reactions range from isolationism to uncritical attempts at “nesting intellectual backwardness“ in the local context (an effect that trickles down and reinforces hierarchies). Deterred communication harms anthropological studies on post-socialism, the prominence of which can hardly be compared to that of post-colonial studies.
This article examines Nnamdi Azikiwe’s idea of mental emancipation as the intellectual foundation for his political philosophy. Mental emancipation involves re-educating Africans to adopt scientific, critical, analytic, and logical modes of thinking. Azikiwe argues that development must involve changing Africans’ intellectual attitudes and educational system. He argues that Western education, through perpetuating negative stereotypes and engendering ‘colonial mentality’, has neither fostered critical and scientific thinking, nor enabled Africans to apply their knowledge for development. Mental emancipation would enable Africans to develop self-confidence, and the critical examination of superstitious beliefs that have hindered Africa’s development. I show that Azikiwe’s ideas have been recaptured by African philosophers like Bodunrin and Wiredu, regarding their critique of aspects of African tradition and prescription for how African philosophy can contribute to development.