Papakonstantinou, a popular rock singer of the time. The song can be associated with a series of representations that circulated in early 1980s Greece. Many cultural products, such as movies, songs, and publications sketched out motorcycling as a deviant lifestyle
Popularization, Representational Politics, and Social Identities
Changes in Israeli politics, diplomacy, and the Israeli-Arab conflict, changes in Israeli cultural texts dealing with the conflict, and changes in Israeli writing of fiction—all led to significant changes in how the Israeli-Arab conflict is portrayed in Israeli fiction written in the 1980s. Comprising fictional texts about the conflict, the novels and films examined in this article actually deal with the inability to tell the story. The conflict is portrayed as too deep-rooted and complicated, to the extent that it is impossible to recount it and construct a dialogue or to find common grounds for comprehending it. The texts almost always end up in death, no Jewish-Arab personal relation prevails, and most of the interactions are through the military. According to the texts examined here, these two societies appear to need the conflict in order to overcome bitter conflicts within themselves; and Arab-Palestinian Israeli citizens feel that they cannot live in Israel.
Between Ethnography and the Construction of Heritage
The article discusses the process of setting up an exhibition presenting the fragments of alternative creative practices in 1980s Maribor (Slovenia) in an art museum. Within an interdisciplinary approach – art historical, museological and anthropological, which is in focus here – I try to understand how such a heritage of alternative creative practices is constructed and produced. Furthermore, the question of the anthropological potentiality of exhibition-making as a method for researching certain aspects of urban practices and development is considered. During the exhibition the art museum became a collaborative place for negotiating, mediating and constructing a heritage between an imagined community of (once) alternative individuals and collectives who participated in the exhibition, the museum staff, visitors and the media. The exhibition was echoed in some other events in the city as it also addressed contemporary artistic, cultural and social issues in Maribor.
Kah Seng Loh and Michael D. Pante
A history of urban floods underlines the state's efforts to discipline people as well as to control floodwaters. We focus on two big cities in Southeast Asia—Singapore and Metro Manila—in the period from after World War II until the 1980s. During this period, both cities traversed similar paths of demographic and socioeconomic change that had an adverse impact on the incidence of flooding. Official responses to floods in Singapore and Manila, too, shared the common pursuit of two objectives. The first was to tame nature by reducing the risk of flooding through drainage and other technical measures, as implemented by a modern bureaucracy. The second was to discipline human nature by eradicating “bad” attitudes and habits deemed to contribute to flooding, while nurturing behavior considered civic-minded and socially responsible. While Singapore's technocratic responses were more effective overall than those in Metro Manila, the return of floodwaters to Orchard Road in recent years has highlighted the shortcomings of high modernist responses to environmental hazards. This article argues that in controlling floods—that is, when nature is deemed hazardous—the state needs to accommodate sources of authority and expertise other than its own.
Egor Antonov and Venera Antonova
Translator : Tatiana Argounova-Low
( Kalinina 2013: 328–329 ). This article analyzes the achievements and difficulties in the process of cadre development in Iakutiia between the 1960s and 1980s. The growth of the intelligentsia in the autonomous ethnic republics of the Russian Federation was
Lam Yee Man
in the 1980s—ozone depletion—resulted in the banning of the use of chlorofluorocarbon (CFC). Risk drives change because risk, according to Ulrich Beck, is disruptive and subversive. Risk refers to “calculable uncertainties,” a problem generated by
Queer Girls’ Voices in the Liberation Era
Amanda H. Littauer
Drawing on letters and essays written by teenage girls in the 1970s and early 1980s, and building on my historical research on same-sex desiring girls and girlhoods in the postwar United States, I ask how teenage girls in the 1970s and early 1980s pursued answers to questions about their feelings, practices, and identities and expressed their subjectivities as young lesbian feminists. These young writers, I argue, recognized that they benefitted from more resources and role models than did earlier generations, but they objected to what they saw as adult lesbians’ ageism, caution, and neglect. In reaching out to sympathetic straight and lesbian public figures and publications, girls found new ways to combat the persistent isolation and oppression faced by youth whose autonomy remained severely restricted by familial, educational, and legal structures.
This article examines the changes in social movements, in particular the peace movement since the late 1970s, their processes of differentiation as well as their connections to older aspects of the movements. Of particular interest is the breadth of the peace movement, which succeeded in mobilizing several hundred thousand persons at the beginning of the 1980s. How points of conflict developed between this movement and an antiwar movement led by a “new youth movement” around 1980 is the focus of this article.
1980s Boyhood in British Cinema, 2005–2010
nostalgia films. Perhaps most tellingly, these films, such as This is England (2006) and Son of Rambow (2007), although made in the 2000s, are set in a specific period in the recent past—the 1980s. This rapport between boyhood and the elegiac
Jonathan A. Allan, Chris Haywood, and Frank G. Karioris
1980's. The image is a reworking of the “Creation of Adam” by Michelangelo and was used as part of HIV/AIDS prevention advertising campaign. Although used in the context of HIV/AIDS prevention in the 1990’s, the image has resonance with current