nostalgia films. Perhaps most tellingly, these films, such as This is England (2006) and Son of Rambow (2007), although made in the 2000s, are set in a specific period in the recent past—the 1980s. This rapport between boyhood and the elegiac
1980s Boyhood in British Cinema, 2005–2010
Popularization, Representational Politics, and Social Identities
popular rock singer of the time. The song can be associated with a series of representations that circulated in early 1980s Greece. Many cultural products, such as movies, songs, and publications sketched out motorcycling as a deviant lifestyle, mostly
Canada and Airport Refugee Claimants in the 1980s
enormous backlog in asylum claims that had rapidly accumulated by the end of the 1980s. 2 Detained and then deported after requesting legal entry to Canada, Paul was one of a significant number of people who unsuccessfully requested asylum at Canadian
Marty McFly as a 1980s Teenage Boy Role Model
to films about teenage boys that were set and made in the 1980s, because, however incidentally, they offer role models for those of us who hope to raise slightly less overscheduled boys. (I confess to personal interest; I have two small sons.) When we
The West German Green Party's 1983 entrance into the Bundestag marked a major break, both in the history of this young political force and the parliamentary system of the Bonn Republic. The Greens had been founded in opposition to the guiding principles of the West German postwar consensus and conceived of themselves as an “anti-parliamentary party.” Although they had gained parliamentary experience in some regional chambers, their entrance onto the national parliamentary stage juxtaposed old ideals and new challenges—for the Greens themselves as well as for German political culture. Taking this singular historic moment as a starting point, this article summarizes the formation of the Greens in the context of the changing political and ideological landscape of the 1970s. It also contrasts the party's formation with the transformations in terms of program and personnel that it undertook during the 1980s. The focus lies less on the specific activities of the green parliamentary group than on the broader developments in green politics and thinking.
The Transformation of Katarina Witt throughout the 1980s
At the 1987 World Figure Skating Championship, Katarina Witt skated to instrumental music from West Side Story playing the role of Maria. But how could her performance to Broadway show tunes be in line with SED ideology? Through histoire croisée— establishing multiple intersections with different cultures and tracing their continuing effects—this article examines how Witt’s, her coach Jutta Müller’s and choreographer Rudy Suchy’s privileged exposure to Western culture through dance, music, film, experiences abroad, and other skaters’ choreography and costuming inspired reappropriated manifestations through an East German lens into the packaging of Witt’s skating programs in the 1980s. Using television broadcasts, I analyze the gradual to overt Americanization of her programs as her government loosened its grips by granting her more artistic freedom.
Swedish Feminist Comics and Cartoons from the 1970s and 1980s
Anna Nordenstam and Margareta Wallin Wictorin
The success of Swedish feminist comics at the beginning of the twenty-first century, represented by, among others, the cartoonists Liv Strömquist and Nina Hemmingsson, can be traced back to precursors in the 1970s and 1980s. This article argues
Between Ethnography and the Construction of Heritage
The article discusses the process of setting up an exhibition presenting the fragments of alternative creative practices in 1980s Maribor (Slovenia) in an art museum. Within an interdisciplinary approach – art historical, museological and anthropological, which is in focus here – I try to understand how such a heritage of alternative creative practices is constructed and produced. Furthermore, the question of the anthropological potentiality of exhibition-making as a method for researching certain aspects of urban practices and development is considered. During the exhibition the art museum became a collaborative place for negotiating, mediating and constructing a heritage between an imagined community of (once) alternative individuals and collectives who participated in the exhibition, the museum staff, visitors and the media. The exhibition was echoed in some other events in the city as it also addressed contemporary artistic, cultural and social issues in Maribor.
Views of Interracial Romance in French Films and Reviews since the 1980s
This article explores French attitudes about race during and after the years of the National Front's breakthrough by looking at French films and film reviews on the topic of interracial couples. In a country in which antiracists have been reluctant to legitimize the concept of race by talking about it, but in which the far Right has made gains by proclaiming its own views on race, French film-makers in the 1980s and after broached the topic in numerous films, but they often did so in ways that avoided controversy or serious reflection on current French racism. French critics of both French and American films featuring interracial couples also sidestepped the most explosive issues, revealing a disinclination to discuss a troubling and divisive concept, but also a persistent belief that racism remained an American problem and obsession.
This article examines the changes in social movements, in particular the peace movement since the late 1970s, their processes of differentiation as well as their connections to older aspects of the movements. Of particular interest is the breadth of the peace movement, which succeeded in mobilizing several hundred thousand persons at the beginning of the 1980s. How points of conflict developed between this movement and an antiwar movement led by a “new youth movement” around 1980 is the focus of this article.