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Marc Kropman, Carla van Boxtel, and Jannet van Drie

construction of the past] (Hilversum: Uitgeverij Verloren, 2001), 9–11; Maria Grever, De enscenering van de tijd [The stage setting of time] (Rotterdam: 2001), 6; Jonathan A. Carter, “Telling Times: History, Emplotment, and Truth,” History and Theory 42, no

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Gargi Gangopadhyay

Chakraborty, Bari Theke Paliye [Running away from home] (Kolkata: Abhyuday Prakash Mandir [1937] 1959), 8–9. 11 Abanindranath Tagore, Apon Katha , trans. Rimi Chatterjee (Chennai: Tara Publishing, 2004), 35–36. 12 Tagore, Apon Katha , 36. 13 Rabindranath

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Tehmina Pirzada

Muslimness and femininity in comics is sporadic and somewhat limited in nature. Dust, created in the post 9/11 era is a burka-clad Afghan girl who willfully dons the burka and uses her super powers to destroy her enemies. However, Dust still exists within a

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“Hitlermania”

Nazism and the Holocaust in Indian History Textbooks

Basabi Khan Banerjee and Georg Stöber

, 22, 23 and XII, 2019, 102) refer to Joseph Goebbels, Heinrich Himmler, and Reinhard Heydrich as responsible for propaganda, the Gestapo, and the concentration camps, respectively, among other protagonists. 52 Shuklea et al. Social Science Standard 9

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“This Is My Story”

The Reclaiming of Girls’ Education Discourses in Malala Yousafzai’s Autobiography

Rosie Walters

of her autobiography. Her story resonated in the West in a post-9/11 context of “save the Muslim girl” stories ( Sensoy and Marshall 2010: 309 ; see also Yaqin 2013 ). Leigh Gilmore and Elizabeth Marshall write, “The ‘veiled’ brown girl in need of