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Cyrus Shahan

resistance to the state. Using electronic devices to transform the qualities of the ideological source material, the music made by these bands took up a remainder position, neither for nor against. Though that remainder position was minute, Alexander Kluge

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Sounds German?

Popular Music in Postwar Germany at the Crossroads of the National and Transnational

Kirkland A. Fulk

American Cultural Politics and Early Detroit Techno,” European Journal of American Culture 24, no. 2 (2005): 131–152, here 143; Kirkland Fulk, “‘Ohne Musik ist alles Leben ein Irrtum:’ Alexander Kluge, Techo, and the Proletarian Counterpublic Sphere

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Babette Babich

bombing campaign against German cities in World War II. Yet the key to Sebald’s lecture may be a quote he takes from Alexander Kluge suggesting that for Germany and for Germans, the war, as it transpired and in its wake, “never became an experience capable

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Making Friends

Refugees and Volunteers in Germany

Joachim C. Häberlen

“integration” project, see Mark Terkessidis, Interkultur (Frankfurt/Main, 2010), 39-78. 21 See, for example, Alexander Kluge, “Aleppo. Berlin. Paris: Was passierte, als wir Flüchtlinge zum Essen einluden,” The Huffington Post , 1 April 2016. 22 Nina