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Lorenzo Javier Torres Hortelano

In Antichrist (Lars Von Trier, 2009), the inverted story of a modern-day Adam (He) and Eve (She) and the death of their son, we witness the deep wound that von Trier himself suffered when his mother revealed to him a truth. He would later reveal this truth to the general public, and I follow the film’s own allusive structure by returning to this revelation only at the end of this report.

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“Loving and Cruel, All at the Same Time”

Girlhood Identity in The Craft

Emily Chandler

calls out, “I can feel you in me! I am your daughter now.” This positions Nancy “in Christlike terms, but as a perversion, an anti-Christ of sorts” ( P. Thomas 2009: 225 ). Sarah and Nancy are depicted as opposite sides of the same coin. While Sarah does