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Comics and Adaptation

Armelle Blin-Rolland, Guillaume Lecomte, and Marc Ripley

Appropriation (London: Routledge, 2006); Thomas Leitch, Film Adaptation and Its Discontents: From ‘Gone with the Wind’ to ‘The Passion of the Christ’ (Baltimore: Johns Hopkins University Press, 2007); Deborah Cartmell and Imelda Whelehan, Screen Adaptation

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Alex Link

would like us to believe this. Like Jack the Ripper, Hawksmoor’s churches are convenient spectacles of disavowal; they intimate that the causes of inequality are ineffable and natural, rather than obvious, ubiquitous and political. Christ Church

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Adapting Brittany

The Ker-Is Legend in Bande Dessinée

Armelle Blin-Rolland

Hutcheon, A Theory of Adaptation (New York: Routledge, 2006), 9. 18 Thomas Leitch, Film Adaptation and Its Discontents: From ‘Gone with the Wind’ to ‘The Passion of the Christ’ (Baltimore: Johns Hopkins University Press, 2009), 120. 19 Tranvouez, ‘Les

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Looking Awry at Georgian Caricature

Lacan and the Satirists

David Morgan

: Icons – the Christ in triumph in the vault at Daphnis or the admirable Byzantine mosaics – undoubtedly have the effect of holding us under their gaze … It is something to do with the gaze, of course, but there is more to it than that. What makes the

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Mario Slugan

Pia from 1898 (Wikimedia Commons, PD-1923). More important than what the image depicts is the belief that the image is made out of Christ’s sweat and blood, that is, out of actual parts of his body . Precisely the same relevant properties obtain in the

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Young Delinquency as a Social Product in an Age of Correction

The Chicago School’s Struggle to Humanize Transgression

Shane Blackman

important today in understanding how we try and resolve issues of social intolerance and cultural transgression. Shane Blackman Canterbury Christ Church University E-mail: References Back , Les . 2012 . “ Live Sociology

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Understanding Mobilities in a Dangerous World

Gail Adams-Hutcheson, Holly Thorpe, and Catharine Coleborne

: Disastrous Mobilities in Relocation from the Christ-church Earthquakes, Aotearoa New Zealand,” moves the conversation from the macro to the micro when she considers that material affects are able to entangle the earth, forces, and embodiment. She incorporates

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Shane Harrison

survivor when one is sexually abused by an individual who is supposed to be a “living representation of Christ” (249). The final part of the volume addresses sexuality and sexual exploitation. Steven Procopio uses a lens of polyvictimization to unpack the

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Carl Plantinga

back, his body pierced by arrows, his arms splayed to the sides in an obvious reference to the sacrifice of Jesus Christ on the cross. The film did very well at the box office, with a lifetime gross revenue of over $450 million, which led to a sequel

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Tracey Reimann-Dawe

specifically Western and also Christian norms at regular intervals in Africa. Influenced by Enlightenment thought, progress-oriented attitudes reduced the importance allocated to the “time of Christ” in European society. 15 Enlightenment secularization