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The Doll “InbeTween”

Online Doll Videos and the Intertextuality of Tween Girl Culture

Jessica E. Johnston

’ve been making videos since before you were born.” The American Girl doll on AGTube functions as an object that reflects on what it means to be a tween growing up in the digital age. Sandra Weber and Claudia Mitchell refer to technological productions as

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Paula MacDowell

Who or what represents girlhood and girl culture in the global, digital age? How are girls’ identities marketed, distributed, and consumed by popular media texts that are persistently communicating gender messages with attitudes, interpretations

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Catalin Brylla and Mette Kramer

. Watching the World: Screen Documentary and Audiences . Manchester, UK : Manchester University Press . Baker , Maxine . 2006 . Documentary in the Digital Age . Boston : Focal Press . Barratt , Daniel . 2007 . “Assessing the Reality-Status of Film

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Z. Hidayat and Debra Hidayat

formation, and by distinguishing themselves from older generations. As children of the digital age, when smartphones and tablets began to be adopted by young families, and having used the internet since childhood, members of Gen Z are typically accustomed

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Tweens as Technofeminists

Exploring Girlhood Identity in Technology Camp

Jen England and Robert Cannella

various media. To reconceptualize often male-dominated tech spaces, we framed GRTC 2016 around a theme: What does it mean to be a girl in the digital age? We unpacked and explored this theme through discussing, blogging, workshopping, and completing a

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Terms of Silence

Weaknesses in Corporate and Law Enforcement Responses to Cyberviolence against Girls

Suzanne Dunn, Julie S. Lalonde, and Jane Bailey

the Digital Age .” In Bailey and Steeves 2015 : 229 – 252 . Gandy , Imani . 2014 . “ #TwitterFail: Twitter’s Refusal to Handle Online Stalkers, Abusers, and Haters .” Rewire , 12 August . https://rewire.news/article/2014/08/12/twitterfail

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Digitizing the Western Gaze

The End FGM Guardian Global Media Campaign

Jessica Cammaert

. Thus, the incorporation of Amin and Ahmed’s documentary within End FGM can be explained by its documentary form, and its uncompromising, swift juxtaposition of tradition and modernity in a fast-moving digital-age. This tendency was aptly demonstrated in

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Voicing Pride and Futurity in the Age of A.I.

An Interview with Playwright Pao-Chang Tsai on Solo Date

Jing Chen and Pao-Chang Tsai

program human affection as well as help people cope with loss and grief. Whereas the main body of the play concentrates on the question of whether technologies can fill the void of loneliness in a digital age, the epilogue outlines a utopian reunion

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Brian Bergen-Aurand

digital age. Screening us from some bodies; screening and streaming us to others. The editors of Screen Bodies look forward to the conversation that will grow out of this fine ground for critical inquiry. References apulrang . 2015

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Redefining Representation

Black Trans and Queer Women’s Digital Media Production

Moya Bailey

this context, love and care can manifest as societal regard for Black life and health but, more significantly, affirm the self within a nation state that does not. In our digital age, young people are utilizing the Internet to redefine representation