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India Halstead

. Adorno , Theodor , and Max Horkheimer . 1944 . “ The Culture Industry: Enlightenment as Mass Deception .” In Dialectic of Enlightenment , 94 – 136 . Stanford, CA : Stanford University Press . Andreae , Johann Valentin . (1616) 1974 . Die

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David Bordwell

angle, authorship becomes a schema deployed to make sense of the narrative. It can be more or less well-grounded in evidence, and it can provide more or less enlightenment about how the film works. In any case, I’d just insist that such schemas function

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Qihao Ji and Arthur A. Raney

Samuel Taylor Coleridge knew the innovative poetry he and William Wadsworth introduced in Lyrical Ballads might be a tough sell to post-Enlightenment audiences. Reflecting years later, Coleridge wrote, “it was agreed, that my endeavours should be

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Dan Flory

. New York : Vintage Books . Kant , Immanuel . [ 1802 ] 1997 . From Physical Geography . Trans. Emmanuel Chukwudi Eze and Katherine M. Faull . Pp. 58 – 64 in Race and the Enlightenment , ed. Emmanuel Chukwudi Eze . Oxford : Blackwell

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Sade for Sade's Sake

Inside Paul Chan's Transmedial Laboratory

Olivier Delers

-first century; and, by mocking Enlightenment ideals so openly, he hints at the persistence of counter-Enlightenment modes of thought. Chan is also engaged in a transmedial process that is intensely visual and performative and that actualizes Sade's aesthetics by

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Digitizing the Western Gaze

The End FGM Guardian Global Media Campaign

Jessica Cammaert

, represents modernity, enlightenment and “the tide of change.” In this way, the film is complimentary to the overall message of the digital campaign, and its primary focus of extending its reach through global media networks. However, this association between

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Beyond the Individual Body

Spinoza's Radical Enactivism and You Were Never Really Here

Francesco Sticchi

Genevieve Lloyd claims that the notion of the body in Spinoza is not the individual isolated substance of John Locke's theory and of the Enlightenment tradition (1994, 171–174). The Spinozian body goes always beyond itself; it is a dynamic and collective

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Queer Sinofuturism

The Aberrant Movements and Posthumanist Mutations of Body, Identity, and Matter in Lu Yang's Uterus Man

Gabriel Remy-Handfield

Zhexi Zhang (2017) notes: “[In Lek's film], China is re-imagined as a post-human intelligence: a distributed network of bodies and brains more creative, disciplined and collectivized than any descendant of the European Enlightenment.” For more detailed