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Imagining the Textbook

Textbooks as Discourse and Genre

Eleftherios Klerides

This article examines textbooks, especially history textbooks, seeking to contribute to an emerging body of scholarship that endeavors to understand the nature, specific properties, and characteristics of this medium. Using systemic functional linguistics and a context-based perspective of language as its theoretical point of departure, it argues for a dual imagining of the textbook as discourse and genre. In imagining the textbook, the article calls for a rethinking of comparative textbook research in the future, based on a novel cluster of conceptual priorities deriving from postmodern thought.

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Kari Palonen

This article is a thought experiment. It constructs ideal types of political representation in the sense of Max Weber. Inspired by Quentin Skinner and others, the aim is to give a rhetorical turn to contemporary debates on representation. The core idea is to claim an ‘elective affinity’ (Wahlverwandschaft, as Weber says following Goethe) between forms of representation and rhetorical genres of their justification. The four ideal types of political representation are designated as plebiscitary, diplomatic, advocatory, and parliamentary, corresponding to the epideictic, negotiating, forensic, and deliberative genres of rhetoric as the respective ways to plausibly appeal to the audience. I discuss historical approximations of each type of representation and apply the combination of representation and rhetorical genres to the understanding of the European Union’s unconventional system of ‘separation of powers’. I conclude with supporting parliamentary representation, based on dissensus and debate, with complements from other types.

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New Mobilities, Spaces, and Ideas to Market

European Travel Writers and the Making of a Genre—Comment

Steven D. Spalding

-writing genre in preference for a kind of free-associative experimentation. Herder’s text is meant to prove his theories about the connection between movement of the body and movement of the mind, and the sojourn is a way for him to liberate the mind of

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Ian Wojcik-Andrews

Films for young audiences today, particularly those deemed multicultural such as Whale Rider or Up, combine two journeys or quests, those of an elderly person and those of a young child. These films and others, such as The Secret of Roan Inish, represent a new genre called Kid Quests. This article examines the history, defining features, and cultural worth of kid quests and discusses their value and relevance to topics current in diversity studies such as age.

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Boris Maslov

abstractions by their function within a poetic genre—the Pindaric ode—whose structure, to a large extent, dictates the meaning of the text. While the history of political thought tends to regard its objects of study as pieces of intellectual property acquired

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Florence Rochefort

In the French polemics over the Islamic headscarf, the relationship betweensecularism and sexual equality has sometimes been made out to be an artificialone. The articulation between politics, religion, secularism, and women'srights is examined here over the longue durée. Since the beginning of the secularizationprocess during the French Revolution, a minority has championedan egalitarian conception of secularization. Rivalries between or convergencesof political and religious authorities have driven an ambivalent and not veryequal secularization, creating secular pacts that rely on gender pacts to thedetriment of equality. This dynamic reversed itself beginning in the 1960swith the battle for legal contraception and abortion, which shook one of thevery bases of French Catholicism to its foundation. The headscarf affairsrevealed the egalitarian effects of secularism and favored the elaboration ofthought about secularism in conjunction with sexual equality, which, whateverthe various interpretations of that thought may be, could prove to be anon-negligible benefit.

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Scott Gunther

This article examines the political style and rhetoric of the Manif pour tous (MPT), the main organization opposing same-sex marriage in France, from summer 2013 to the present. It exposes how the MPT’s style and rhetoric differ from those of their American counterparts, and what this tells us about the different strategies of political movements in France and the United States generally. It is based on an analysis of the language used by activists whom I interviewed in 2014 and 2015 and on a discourse analysis of the MPT’s website, Facebook page, Twitter feed, and press releases since 2013. This analysis of the distinctive features of the MPT brings to light underlying concerns about French identity in the face of globalization. In other words, for the MPT and its members, what is at stake is not just same-sex marriage but the very definition of Frenchness.

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Instead of a Novel

Sophia Yablonska's Travelogues in the History of Modern Ukrainian Literature

Olena Haleta

-Soviet version of the history of literature, which also includes Ukrainain literature, is still influenced by the socialist realist model dominated by the idea that the novel is the central literary genre and that it develops one overarching “master plot” (not

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Mirko M. Hall

“We aim to please with constant unease!” 1 The post-punk genre of neofolk or apocalyptic folk—with its melancholy lyrics, acoustic melodies, and martial beats—has been an enduring feature of the dark alternative music scene of the past thirty years

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Colette française (et fille de zouave)

Colette and the French Singularity

Kathleen Antonioli

French women writers of the past: Il se manifeste en ce moment, parmi les femmes de lettres, une réaction contre le ‘genre Colette.’ Il y a cinq ans, sur dix femmes prosateurs, huit imitaient Colette; aujourd'hui, il n'y en a plus que quatre. La mode chez