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Rogue or Lover

Value-Maximizing Interpretations of Withnail and I

Peter Alward

Marwood leaves, Withnail recites the famous “man delights not me” passage from Hamlet to an audience of wolves, but deviates from the canonical text by repeating the phrase “nor woman neither” at the end: Withnail I have of late—but wherefore I know not

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Ted Nannicelli

experiential encounter with other sorts of artworks, one instance is as good as another—“a copy of” Moby Dick , “a performance of” Hamlet , “a rendition of” “Summertime,” “a screening of” Rebel Without a Cause (Nicholas Ray, 1955). These works are of the

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Jason Dean and Geoffrey Raynor

understanding of the films? The use of psychoanalysis to understand literature and film has a long tradition, starting with Freud’s analysis of Sophocles’s classic Oedipus Rex and Shakespeare’s Hamlet in his Interpretation of Dreams ([1900] 1953). Some

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Toward a Model of Distributed Affectivity for Cinematic Ethics

Ethical Experience, Trauma, and History

Philip Martin

]here the Westerner may think of empathy as rendering Hamlet's griefs and problems his own, Abhinava thinks of the process of empathy … as liberating one's personal memory of grief into a universal, impersonal flavour.” References Abhinavagupta