Search Results

You are looking at 1 - 6 of 6 items for :

  • "Hamletism" x
  • Media Studies x
  • All content x
Clear All
Restricted access

Rogue or Lover

Value-Maximizing Interpretations of Withnail and I

Peter Alward

Marwood leaves, Withnail recites the famous “man delights not me” passage from Hamlet to an audience of wolves, but deviates from the canonical text by repeating the phrase “nor woman neither” at the end: Withnail I have of late—but wherefore I know not

Free access

Heather Fitzsimmons Frey

spectators and actors to simultaneously re-imagine characters and think critically about their performance is also found in Jonothan Neelands and Bethany Nelson’s study with students who performed Hamlet . Many students suggested that performing a character

Restricted access

Ted Nannicelli

experiential encounter with other sorts of artworks, one instance is as good as another—“a copy of” Moby Dick , “a performance of” Hamlet , “a rendition of” “Summertime,” “a screening of” Rebel Without a Cause (Nicholas Ray, 1955). These works are of the

Restricted access

“Farmers Don't Dance”

The Construction of Gender in a Rural Scottish School

Fiona G. Menzies and Ninetta Santoro

incorporates two small rural towns, and numerous small villages, hamlets, and farms and is funded by the Local Education Authority. The area in which Bothy High School is located, and the surrounding area it serves, are classified as Remote Rural, the second

Restricted access

Jason Dean and Geoffrey Raynor

understanding of the films? The use of psychoanalysis to understand literature and film has a long tradition, starting with Freud’s analysis of Sophocles’s classic Oedipus Rex and Shakespeare’s Hamlet in his Interpretation of Dreams ([1900] 1953). Some

Restricted access

Toward a Model of Distributed Affectivity for Cinematic Ethics

Ethical Experience, Trauma, and History

Philip Martin

]here the Westerner may think of empathy as rendering Hamlet's griefs and problems his own, Abhinava thinks of the process of empathy … as liberating one's personal memory of grief into a universal, impersonal flavour.” References Abhinavagupta