Marwood leaves, Withnail recites the famous “man delights not me” passage from Hamlet to an audience of wolves, but deviates from the canonical text by repeating the phrase “nor woman neither” at the end: Withnail I have of late—but wherefore I know not
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Ted Nannicelli
experiential encounter with other sorts of artworks, one instance is as good as another—“a copy of” Moby Dick , “a performance of” Hamlet , “a rendition of” “Summertime,” “a screening of” Rebel Without a Cause (Nicholas Ray, 1955). These works are of the
Jason Dean and Geoffrey Raynor
understanding of the films? The use of psychoanalysis to understand literature and film has a long tradition, starting with Freud’s analysis of Sophocles’s classic Oedipus Rex and Shakespeare’s Hamlet in his Interpretation of Dreams ([1900] 1953). Some
Toward a Model of Distributed Affectivity for Cinematic Ethics
Ethical Experience, Trauma, and History
Philip Martin
]here the Westerner may think of empathy as rendering Hamlet's griefs and problems his own, Abhinava thinks of the process of empathy … as liberating one's personal memory of grief into a universal, impersonal flavour.” References Abhinavagupta